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Mocking Jay

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To broach the subject at all will be a risk. But while I think Haymitch might gamble with my life in the arena, I don't<br />

think he'd rat me out to Coin. Whatever problems we may have with each other, we prefer resolving our<br />

differences one-on-one.<br />

I scramble off the tiles, out the door, and across the hall to his room. When there's no response to my<br />

knock, I push inside. Ugh. It's amazing how quickly he can defile a space. Half-eaten plates of food, shattered<br />

liquor bottles, and pieces of broken furniture from a drunken rampage scatter his quarters. He lies, unkempt and<br />

unwashed, in a tangle of sheets on the bed, passed out.<br />

"Haymitch," I say, shaking his leg. Of course, that's insufficient. But I give it a few more tries before I dump<br />

the pitcher of water in his face. He comes to with a gasp, slashing blindly with his knife. Apparently, the end of<br />

Snow's reign didn't equal the end of his terror.<br />

"Oh. You," he says. I can tell by his voice that he's still loaded.<br />

"Haymitch," I begin.<br />

"Listen to that. The <strong>Mocking</strong>jay found her voice." He laughs. "Well, Plutarch's going to be happy." He takes<br />

a swig from a bottle. "Why am I soaking wet?" I lamely drop the pitcher behind me into a pile of dirty clothes.<br />

"I need your help," I say.<br />

Haymitch belches, filling the air with white liquor fumes. "What is it, sweetheart? More boy trouble?" I don't<br />

know why, but this hurts me in a way Haymitch rarely can. It must show on my face, because even in his drunken<br />

state, he tries to take it back. "Okay, not funny." I'm already at the door. "Not funny! Come back!" By the thud of<br />

his body hitting the floor, I assume he tried to follow me, but there's no point.<br />

I zigzag through the mansion and disappear into a wardrobe full of silken things. I yank them from hangers<br />

until I have a pile and then burrow into it. In the lining of my pocket, I find a stray morphling tablet and swallow it<br />

dry, heading off my rising hysteria. It's not enough to right things, though. I hear Haymitch calling me in the<br />

distance, but he won't find me in his condition. Especially not in this new spot. Swathed in silk, I feel like a<br />

caterpillar in a cocoon awaiting metamorphosis. I always supposed that to be a peaceful condition. At first it is.<br />

But as I journey into night, I feel more and more trapped, suffocated by the slippery bindings, unable to emerge<br />

until I have transformed into something of beauty. I squirm, trying to shed my ruined body and unlock the secret to<br />

growing flawless wings. Despite enormous effort, I remain a hideous creature, fired into my current form by the<br />

blast from the bombs.<br />

The encounter with Snow opens the door to my old repertoire of nightmares. It's like being stung by tracker<br />

jackers again. A wave of horrifying images with a brief respite I confuse with waking--only to find another wave<br />

knocking me back. When the guards finally locate me, I'm sitting on the floor of the wardrobe, tangled in silk,<br />

screaming my head off. I fight them at first, until they convince me they're trying to help, peel away the choking<br />

garments, and escort me back to my room. On the way, we pass a window and I see a gray, snowy dawn<br />

spreading across the Capitol.<br />

A very hungover Haymitch waits with a handful of pills and a tray of food that neither of us has the stomach<br />

for. He makes a feeble attempt to get me to talk again but, seeing it's pointless, sends me to a bath someone<br />

has drawn. The tub's deep, with three steps to the bottom. I ease down into the warm water and sit, up to my<br />

neck in suds, hoping the medicines kick in soon. My eyes focus on the rose that has spread its petals overnight,<br />

filling the steamy air with its strong perfume. I rise and reach for a towel to smother it, when there's a tentative<br />

knock and the bathroom door opens, revealing three familiar faces. They try to smile at me, but even Venia can't<br />

conceal her shock at my ravaged mutt body. "Surprise!" Octavia squeaks, and then bursts into tears. I'm puzzling<br />

over their reappearance when I realize that this must be it, the day of the execution. They've come to prep me for<br />

the cameras. Remake me to Beauty Base Zero. No wonder Octavia's crying. It's an impossible task.<br />

They can barely touch my patchwork of skin for fear of hurting me, so I rinse and dry off myself. I tell them I<br />

hardly notice the pain anymore, but Flavius still winces as he drapes a robe around me. In the bedroom, I find<br />

another surprise. Sitting upright in a chair. Polished from her metallic gold wig to her patent leather high heels,<br />

gripping a clipboard. Remarkably unchanged except for the vacant look in her eyes.<br />

"Effie," I say.<br />

"Hello, Katniss." She stands and kisses me on the cheek as if nothing has occurred since our last meeting,<br />

the night before the Quarter Quell. "Well, it looks like we've got another big, big, big day ahead of us. So why<br />

don't you start your prep and I'll just pop over and check on the arrangements."<br />

"Okay," I say to her back.<br />

"They say Plutarch and Haymitch had a hard time keeping her alive," comments Venia under her breath.<br />

"She was imprisoned after your escape, so that helps."

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