HF The History of Photography 600pág

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llllf NORFOLK COLLEGE LIBRARY JRllJ
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t,i{g 8 . . '-'' ' ., ;-.-- - ... -
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In honour and loving memory of ALIS
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6 Contents 6 The daguerreotype Dagu
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8 Contents 21 Instantaneous photogr
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IO Contents Under-water photography
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12 Foreword Many of the ex 1 stmg c
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14 Introduction effects, for which
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1 The history of the camera obscura
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The history of the camera obscura 1
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Photochemical investigations 3 l Th
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Photochemical investigations 3 3 en
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3 Phantoms of photography TIPHAIGNE
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4 The first conception of photograp
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The first conception of photography
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The first conception of photography
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Plates 1-16
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1 CEMMA-1 ms1us. First published il
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lfll'-••• ,I !""--.·11 ft ..
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l), i 7 JOHANN ZAHN. Reflex box cam
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\
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Part II ' THE IN VENTIO N OF PHOTOG
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56 The invention of photography and
Page 60 and 61: 58 The invention of photography Pl
Page 64 and 65: 62 The invention of photography Nie
Page 70 and 71: 68 The invention of photography P .
Page 72 and 73: 70 The invention of photography RAP
Page 74 and 75: 72 The invention of photography con
Page 76 and 77: 74 The invention of photography Fig
Page 78 and 79: 76 The invention of photography fix
Page 80 and 81: 78 The invention of photography spo
Page 82 and 83: 80 The invention of photography Fig
Page 84 and 85: 82 The invention of photography Tal
Page 86 and 87: 8 Direct positives on paper Pl 40 H
Page 88 and 89: 86 The invention of photography It
Page 90 and 91: 9 Other independent inventors Fig 9
Page 94 and 95: 92 The invention of photography Rea
Page 96 and 97: 94 The invention of photography Deu
Page 98 and 99: 96 The invention of photography I2
Page 100 and 101: 98 The invention of photography cou
Page 103 and 104: 17 NicEPHORE NIEPCE. Pencil and was
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Page 108 and 109: - -- r 29 'Daguerreotypomanie', car
Page 112: 38 REV. J. B. READE, F.R.S., photog
Page 115: Part III THE EARLY YEARS OF PHOTOGR
Page 118 and 119: 6 The early years of photography il
Page 120 and 121: I I 8 The early years of photograph
Page 122 and 123: 11 The daguerreotype in America The
Page 124 and 125: 122 The early years of photography
Page 132 and 133: 12 The daguerreotype in Great Brita
Page 140 and 141: l 3 8 The early years of photograph
Page 150 and 151: 48 The early years of photography d
Page 152 and 153: I 50 The early years of photography
Page 156 and 157: l 54 The early years of photography
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15 8 The early years of photography
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160 The early years of photography
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1 4 The calotype and other paper pr
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I 76 The early years of photography
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1 So The early years of photography
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I82 The early years of photography
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I 84 The early years of photography
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16 The introduction of photography
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43 ADOLPHE BRAUN. Open-air group, d
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49 JOHN w. DRAPER. Daguerreotype of
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56 ANTOINE CLAUDET. Daguerreotype o
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( 64 HERMANN BIOW. Jakob Venedey, M
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72 D. o. HILL and R. ADAMSON. John
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79 FOX TALBOT, 'The Ladder'. Caloty
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89 MAXIME DU CAMP. Colossus of Rame
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Part IV THE COLLODIO N PERIOD
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17 The popularization of photograph
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The popularization of photography 2
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Portrait photography-a new industry
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19 'High art' photography The part
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'High art' photography 245 composit
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'High art' photo,l?raphy 24 7 prese
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which each time entailed retouching
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'Hi,ish art' photography 2 5 I he r
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20 Stereoscopic photography The phe
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Stereoscopic photography 2 5 5 inst
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Stereoscopic photography 257 the pr
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Stereoscopic photography 259 had pr
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Stereoscopic photography 261 /.'>i{
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21 Instantaneous photography The in
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Instantaneous photography 265 made
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News photography 267 cameramen, inc
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ingenious camera and author of a co
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News photography 271 as the blown-u
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News photography 273 partly to a de
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23 Landscape and architectural phot
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Landscape and architectural photogr
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24 The carte-de-visite period The i
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The carte-de-visite period 295 With
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The carte-de-visite period 297 that
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The carte-de-visite period 299 VIGN
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The carte-de-visi te period 3o1 the
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The carte-de-visite period 303 Cabi
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Some fa mous portrait photographers
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Some fa mous portrait photographers
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Some famous portrait photographers
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26 Mammoth and miniature photograph
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. Mammoth and miniature photographs
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Mammoth and miniature photographs 3
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The e1;olution of dry plates 323 of
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The e1Jolution of dry plates 325 OP
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The evolution of dry plates 327 mad
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The evolution of dry plates 329 des
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The evolution of dry plates 3 3 I e
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The evolution of dry plates 3 3 3 E
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28 Permanent photographs FADING OF
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Permanent photographs 337 that the
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Permanent photographs 339 London in
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produced by other photomechanical m
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gave satisfactory permanence when c
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process gave rise to great expectat
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_, .... '
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or The Photographic Society's exhib
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I \ , . 7, . ( , . . I ! f · --·
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II 8 CLAUDET's lenticular stereosco
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126 G. w. WILSON. Princes Street, E
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133 REV. THEOPHILUS SMITH. The grea
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142 FELICE A. BEATO. The Chatter Ma
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•
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55 E. BALDUS. The Pont du Gard, nea
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160 LEOPOLDO AND GIUSEPPE ALINARI.
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170 SAMUEL BOURNE. The Scinde River
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182 L. HAASE. 'Little Willy's first
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•
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196 JULIA MARGARET CAMERON. Sir Hen
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201 ETIENNE CARJAT. Rossini. Carbon
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206 LEWIS CARROLL. 'It won't come s
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214 'H. w. VOGEL, portrait by LOESC
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29 Emulsion papers and mass-product
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Emulsion papers and mass-production
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Emulsion papers and mass-production
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30 Photography on film For a long t
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Photography on .film 407 / A partic
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Photography on film 409 to produce
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Hand, pocket, and detective cameras
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Hand, pocket, and detecti11e camera
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' DETECTIVE ' CAMERAS Hand, pocket,
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Push-button photography 423 might h
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Push-button photography 425 photogr
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Photography by artificial light 427
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3 4 The photography of movement Tho
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The photography of movement 43 5 Ja
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The photography of movement 43 7 co
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The photography of movement 439 lea
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The photography of movement 441 Fig
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The photography of movement 443 and
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The photography of movement 445 Som
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35 Documentation Social Documentati
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Documentation 449 of the over l ,20
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Documentation 45 l Sella did not, o
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Press photography 453 Of the numero
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Press photography 455 cases, in 6 t
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Naturalistic photography 457 whole
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Naturalistic photography 459 aspire
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Naturalistic photography 46 I occur
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38 The aesthetic movement Held toge
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The aesthetic movement 46 5 Indeed,
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The aesthetic movement 467 to the a
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The aesthetic movement 469 photogra
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Plates 219-308
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.. 223, 224 Cravat camera, introduc
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231 ROBERT SLINGSBY. Domestic inter
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240 MUYBRIDGE ' s track at Palo Alt
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250 THOMAS EAKINS. Man running, 188
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. ' 258 JACOB RIIS. Taiior's worksh
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265 SIR BENJAMIN STONE. Ox-roasting
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ll.JUt;t/(Jr PRIX : 15 CENTnn:s -_x
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280 L YD DELL SAWYER. 'In the twili
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284 J. CRAIG ANNAN. The painter and
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294 ROBERT DEMACHY. Ballet dancer.
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305 HARRY c. RUBINCAM. Circus rider
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39 Aerial photography Foreseeing th
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Aerial photography 509 slow-burning
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40 Under-water photography1 One sto
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Under-water photography 513 Finding
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Photography of criminals 5 1 5 from
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42 Medical photography A detailed a
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Part VII THE EVOLUTIO N OF COLOUR P
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522 The evolution of colour photogr
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524 The evolution of colour photogr
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Plates 309-322
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309 ARTHUR BATUT ' s arrangement fo
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PATEIT PHOTO.GALV!IO.GRAPHIC PROCES
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-- -- 322 F. JOUBERT. 'Phototype' (
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44 Photomechanical printing process
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Photomechanical printing processes
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Conclusion THE NECESSITY FOR PUBLIC
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Notes on the text Part I THE PREHIS
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Notes on the text 5 57 6 Acta physi
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Notes on the text 5 59 14 On II Nov
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Notes on the text 561 of the telesc
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Notes on the text 563 26 Francis S.
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Notes on the text 565 28 Talbot's l
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Notes on the text 567 Part IV THE C
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Notes on the text 569 22 News photo
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Notes on the text 571 9 'American P
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Notes on the text 573 9 Not bichrom
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Notes on the text 575 coil of magne
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Notes on the text 577 36 Press phot
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Notes on the text 579 16 A complete
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Bibliography 581 ERICH STENGER Die
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Appendix 583 Process Photogenic dra
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Appendix 5 8 5 Society and first pr
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Appendix 587 12 Revue photographiqu
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References to text figures arid pla
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Index 591 Carpmael, William I 3 5 C
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Index 593 Fockedey, Hippolyte I 88
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Index 595 Lewitzky, Sergej L. (1819
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Index 597 Pohl, Joseph Johann (1825
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Index 599 Tichborne case 515 Tiffer
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