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HF The History of Photography 600pág

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<strong>The</strong> daguerreotype in America I 29<br />

<strong>The</strong> high praise accorded to American daguerreotypes at the Great Exhibition is<br />

partly due to their technical brilliance. <strong>The</strong>y are particularly clear, owing to their<br />

highly polished surface, for the Americans used steam-machinery to drive cleaning<br />

and buffing wheels and their plates are therefore free from the buff-lines visible in<br />

most English and Continental daguerreotypes. Another reason for the great prominence<br />

<strong>of</strong> the Americans at the Crystal Palace is the fact that none <strong>of</strong> the leading German<br />

daguerreotypists such as Stelzner and Biow were represented. To avoid any erroneous<br />

impression we would add that two <strong>of</strong> the highest awards went to daguerreotypists<br />

active in London, namely A. Claudet (Council Medal) and E. Kilburn (Prize<br />

Medal), whilst J. E. Mayall, an American by birth but an Englishman by adoption,<br />

had to content himself with an Honourable Mention.

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