HF The History of Photography 600pág

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38 REV. J. B. READE, F.R.S., photograph by MAULL & POLYBLANK, C.- 1856 39 <strong>The</strong> earliest extant photograph on glass, taken in September 1839 by SIR J. F. w. HERSCHEL. It shows the scaffolding erected for dismantling his father's telescope at Slough. Diameter 2! in. Original at Science Museum, London 40 HIPPOL YTE BAYARD, self-portrait, c. I 8 5 5. Societe Frarn;:aise de Photographie, Paris 41 HIPi'OL YTE BAYARD. Windmills at Montmartre. Direct positive on paper, 1839. Sociere Franc;:aise de Photographie, Paris
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llllf NORFOLK COLLEGE LIBRARY JRllJ
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t,i{g 8 . . '-'' ' ., ;-.-- - ... -
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In honour and loving memory of ALIS
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6 Contents 6 The daguerreotype Dagu
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8 Contents 21 Instantaneous photogr
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IO Contents Under-water photography
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12 Foreword Many of the ex 1 stmg c
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14 Introduction effects, for which
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1 The history of the camera obscura
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The history of the camera obscura 1
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Photochemical investigations 3 l Th
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Photochemical investigations 3 3 en
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3 Phantoms of photography TIPHAIGNE
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4 The first conception of photograp
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The first conception of photography
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The first conception of photography
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Plates 1-16
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1 CEMMA-1 ms1us. First published il
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lfll'-••• ,I !""--.·11 ft ..
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l), i 7 JOHANN ZAHN. Reflex box cam
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Part II ' THE IN VENTIO N OF PHOTOG
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56 The invention of photography and
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58 The invention of photography Pl
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Page 64 and 65: 62 The invention of photography Nie
Page 70 and 71: 68 The invention of photography P .
Page 72 and 73: 70 The invention of photography RAP
Page 74 and 75: 72 The invention of photography con
Page 76 and 77: 74 The invention of photography Fig
Page 78 and 79: 76 The invention of photography fix
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Page 82 and 83: 80 The invention of photography Fig
Page 84 and 85: 82 The invention of photography Tal
Page 86 and 87: 8 Direct positives on paper Pl 40 H
Page 88 and 89: 86 The invention of photography It
Page 90 and 91: 9 Other independent inventors Fig 9
Page 94 and 95: 92 The invention of photography Rea
Page 96 and 97: 94 The invention of photography Deu
Page 98 and 99: 96 The invention of photography I2
Page 100 and 101: 98 The invention of photography cou
Page 103 and 104: 17 NicEPHORE NIEPCE. Pencil and was
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Page 108 and 109: - -- r 29 'Daguerreotypomanie', car
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Page 115: Part III THE EARLY YEARS OF PHOTOGR
Page 118 and 119: 6 The early years of photography il
Page 120 and 121: I I 8 The early years of photograph
Page 122 and 123: 11 The daguerreotype in America The
Page 124 and 125: 122 The early years of photography
Page 132 and 133: 12 The daguerreotype in Great Brita
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Page 152 and 153: I 50 The early years of photography
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160 The early years of photography
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1 4 The calotype and other paper pr
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I 76 The early years of photography
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1 So The early years of photography
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I82 The early years of photography
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I 84 The early years of photography
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16 The introduction of photography
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43 ADOLPHE BRAUN. Open-air group, d
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49 JOHN w. DRAPER. Daguerreotype of
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56 ANTOINE CLAUDET. Daguerreotype o
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( 64 HERMANN BIOW. Jakob Venedey, M
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72 D. o. HILL and R. ADAMSON. John
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79 FOX TALBOT, 'The Ladder'. Caloty
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89 MAXIME DU CAMP. Colossus of Rame
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Part IV THE COLLODIO N PERIOD
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17 The popularization of photograph
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The popularization of photography 2
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Portrait photography-a new industry
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19 'High art' photography The part
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'High art' photography 245 composit
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'High art' photo,l?raphy 24 7 prese
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which each time entailed retouching
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'Hi,ish art' photography 2 5 I he r
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20 Stereoscopic photography The phe
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Stereoscopic photography 2 5 5 inst
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Stereoscopic photography 257 the pr
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Stereoscopic photography 259 had pr
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Stereoscopic photography 261 /.'>i{
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21 Instantaneous photography The in
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Instantaneous photography 265 made
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News photography 267 cameramen, inc
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ingenious camera and author of a co
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News photography 271 as the blown-u
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News photography 273 partly to a de
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23 Landscape and architectural phot
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Landscape and architectural photogr
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24 The carte-de-visite period The i
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The carte-de-visite period 295 With
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The carte-de-visite period 297 that
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The carte-de-visite period 299 VIGN
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The carte-de-visi te period 3o1 the
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The carte-de-visite period 303 Cabi
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Some fa mous portrait photographers
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Some fa mous portrait photographers
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Some famous portrait photographers
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26 Mammoth and miniature photograph
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. Mammoth and miniature photographs
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Mammoth and miniature photographs 3
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The e1;olution of dry plates 323 of
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The e1Jolution of dry plates 325 OP
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The evolution of dry plates 327 mad
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The evolution of dry plates 329 des
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The evolution of dry plates 3 3 I e
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The evolution of dry plates 3 3 3 E
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28 Permanent photographs FADING OF
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Permanent photographs 337 that the
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Permanent photographs 339 London in
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produced by other photomechanical m
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gave satisfactory permanence when c
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process gave rise to great expectat
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_, .... '
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or The Photographic Society's exhib
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I \ , . 7, . ( , . . I ! f · --·
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II 8 CLAUDET's lenticular stereosco
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126 G. w. WILSON. Princes Street, E
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133 REV. THEOPHILUS SMITH. The grea
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142 FELICE A. BEATO. The Chatter Ma
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•
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55 E. BALDUS. The Pont du Gard, nea
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160 LEOPOLDO AND GIUSEPPE ALINARI.
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170 SAMUEL BOURNE. The Scinde River
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182 L. HAASE. 'Little Willy's first
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•
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196 JULIA MARGARET CAMERON. Sir Hen
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201 ETIENNE CARJAT. Rossini. Carbon
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206 LEWIS CARROLL. 'It won't come s
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214 'H. w. VOGEL, portrait by LOESC
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29 Emulsion papers and mass-product
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Emulsion papers and mass-production
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Emulsion papers and mass-production
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30 Photography on film For a long t
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Photography on .film 407 / A partic
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Photography on film 409 to produce
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Hand, pocket, and detective cameras
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Hand, pocket, and detecti11e camera
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' DETECTIVE ' CAMERAS Hand, pocket,
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Push-button photography 423 might h
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Push-button photography 425 photogr
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Photography by artificial light 427
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3 4 The photography of movement Tho
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The photography of movement 43 5 Ja
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The photography of movement 43 7 co
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The photography of movement 439 lea
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The photography of movement 441 Fig
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The photography of movement 443 and
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The photography of movement 445 Som
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35 Documentation Social Documentati
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Documentation 449 of the over l ,20
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Documentation 45 l Sella did not, o
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Press photography 453 Of the numero
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Press photography 455 cases, in 6 t
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Naturalistic photography 457 whole
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Naturalistic photography 459 aspire
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Naturalistic photography 46 I occur
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38 The aesthetic movement Held toge
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The aesthetic movement 46 5 Indeed,
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The aesthetic movement 467 to the a
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The aesthetic movement 469 photogra
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Plates 219-308
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.. 223, 224 Cravat camera, introduc
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231 ROBERT SLINGSBY. Domestic inter
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240 MUYBRIDGE ' s track at Palo Alt
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250 THOMAS EAKINS. Man running, 188
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. ' 258 JACOB RIIS. Taiior's worksh
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265 SIR BENJAMIN STONE. Ox-roasting
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ll.JUt;t/(Jr PRIX : 15 CENTnn:s -_x
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280 L YD DELL SAWYER. 'In the twili
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284 J. CRAIG ANNAN. The painter and
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294 ROBERT DEMACHY. Ballet dancer.
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305 HARRY c. RUBINCAM. Circus rider
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39 Aerial photography Foreseeing th
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Aerial photography 509 slow-burning
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40 Under-water photography1 One sto
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Under-water photography 513 Finding
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Photography of criminals 5 1 5 from
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42 Medical photography A detailed a
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Part VII THE EVOLUTIO N OF COLOUR P
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522 The evolution of colour photogr
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524 The evolution of colour photogr
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Plates 309-322
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309 ARTHUR BATUT ' s arrangement fo
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PATEIT PHOTO.GALV!IO.GRAPHIC PROCES
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-- -- 322 F. JOUBERT. 'Phototype' (
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44 Photomechanical printing process
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Photomechanical printing processes
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Conclusion THE NECESSITY FOR PUBLIC
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Notes on the text Part I THE PREHIS
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Notes on the text 5 57 6 Acta physi
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Notes on the text 5 59 14 On II Nov
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Notes on the text 561 of the telesc
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Notes on the text 563 26 Francis S.
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Notes on the text 565 28 Talbot's l
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Notes on the text 567 Part IV THE C
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Notes on the text 569 22 News photo
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Notes on the text 571 9 'American P
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Notes on the text 573 9 Not bichrom
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Notes on the text 575 coil of magne
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Notes on the text 577 36 Press phot
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Notes on the text 579 16 A complete
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Bibliography 581 ERICH STENGER Die
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Appendix 583 Process Photogenic dra
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Appendix 5 8 5 Society and first pr
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Appendix 587 12 Revue photographiqu
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References to text figures arid pla
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Index 591 Carpmael, William I 3 5 C
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Index 593 Fockedey, Hippolyte I 88
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Index 595 Lewitzky, Sergej L. (1819
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Index 597 Pohl, Joseph Johann (1825
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Index 599 Tichborne case 515 Tiffer
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