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HF The History of Photography 600pág

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404 <strong>The</strong> gelatine period<br />

that has taken place in mass-production photographic prmtmg. Eighty years ago<br />

Valentine's gave employment to forty workers, who turned out approximately<br />

18,000 albumen prints weekly. In 1952 a staff <strong>of</strong> thirty-five in the photographic<br />

department produced half a million prints weekly at peak production for six months<br />

<strong>of</strong> the year, with a total annual output <strong>of</strong> fifteen million.15<br />

<strong>The</strong> forerunner <strong>of</strong> the modern machinery just referred to was the steam-driven<br />

'automatic exposure, developing and fixing machine' invented in 1860 by CHARLES<br />

FONT A YNE <strong>of</strong> Cincinnati, Ohio. With this, prints could be made from one negative<br />

at the rate <strong>of</strong> 2,500 an hour. By concentrating sunlight through a 7 in. condenser, as<br />

many as 12,000 prints an hour could be made, but this reduced the circle <strong>of</strong> illumination<br />

to 1-t in. diameter, restricting output to tiny pictures. <strong>The</strong> paper was passed in<br />

a continuous band under the negative in the printing box, and was then developed.<br />

It would be supposed that such machines would have been used by wholesale producers<br />

<strong>of</strong> photographic prints everywhere, particularly during the carte-de-visite<br />

craze, but the only time we hear <strong>of</strong> its use was for the production, by the inventor,<br />

<strong>of</strong> 100,000 portraits <strong>of</strong> President Lincoln immediately after his election in November<br />

1860.

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