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Notes on the text 579<br />

16 A complete set <strong>of</strong> choice pro<strong>of</strong>s is in the Gernsheim Collection.<br />

17 <strong>The</strong> [Liverpool & Manchester] Photographic Journal, 1 Feb. 1859.<br />

18 Op. cit., 15 Mar. 1857, p. 64.<br />

19 Op. cit., 1 Feb. 1859.<br />

20 Jabez Hogg, <strong>The</strong> Microscope: its <strong>History</strong>, Construction, and Applications, London, 1854.<br />

21 <strong>The</strong> Photographic News, 31 July 1863, p. 363.<br />

22 J. M. Eder, <strong>History</strong> <strong>of</strong> <strong>Photography</strong>, English edition, New York, 1945, p. 583.<br />

23 Charles Negre, De la Gravure heliographique, son utilite, son origine, son application, Nice, 1867.<br />

24 Otto M. Lilieu, <strong>History</strong> <strong>of</strong> Industrial Gravure Printing up to 1900, London, 1957.<br />

25 <strong>The</strong> Edinburgh New Philosophirnl Journal, July l 839, p. 153.<br />

26 Lemercier, Premier Cahier de Lithophotographie, OU Impressions obtenues sur pierre a /'aide de la<br />

Photographie, Paris, 1854.<br />

27 A. Poitevin, Traite de /'impression photographique sans sels d' argent, Paris, l 862, p. 80.<br />

28 <strong>The</strong> Photographic Journal, 15 Nov. 1862, p. 163.<br />

29 Bull. de la Soc. Franraise de Photographie, vol. v, 1859, p. 260.<br />

30 <strong>The</strong> first was Legends <strong>of</strong> St. Swithin and Sancta Maria Aegyptiaca with an essay by John Earle,<br />

published by Longmans, London, in 186r.<br />

31 <strong>The</strong> Photographic News, 20 Apr. 1866, p. 182.<br />

32 Op. cit., 13 Dec. 1861.<br />

33 Georg Scamoni, Handbuch der Heliographie, St. Petersburg, 1872, p. 30.<br />

34 For details see Lichtdruck 1865-1965, VEB Verlag, Dresden, 1966, chapter on Husnik by<br />

Rudolf Skopec.<br />

35 Ernest Edwards, Journal <strong>of</strong> the Society <strong>of</strong> Arts, 28 Apr. I 871.<br />

36 <strong>The</strong> British Journal <strong>of</strong> <strong>Photography</strong>, 1872, pp. 298 and 507.<br />

37 Advertisement in Gaston Tissandier's <strong>History</strong> and Handbook <strong>of</strong> <strong>Photography</strong>, 2nd ed., London,<br />

1878.<br />

38 <strong>The</strong> Athenaeum, 30 Apr. 1853.<br />

39 Two examples in the Supplement to the Photographic News, 5 Sept. 1884, show the high<br />

quality attained.<br />

40 S. H. Horgan, '<strong>Photography</strong> and the Newspapers', <strong>The</strong> Photographic News, 4 July 1884;<br />

and L. R. McCabe, <strong>The</strong> Beginnings <strong>of</strong> Half-tone: from the Notebooks <strong>of</strong> Stephen H. Horgan,<br />

Chicago, 1924.<br />

41 H. Baden Pritchard, <strong>The</strong> Studios <strong>of</strong> Europe, London, 1882, p. 1 IO.<br />

42 <strong>The</strong> Photographic News, 1885, p. 360.<br />

43 Carl W. Ackerman, George Eastman, London, 1930, p. 51.<br />

CONCLUSION<br />

1 For a detailed plan concerning the functions <strong>of</strong> such an institute, see <strong>The</strong> Times, 3 March and<br />

31 May 1952; and our papers to the International Conference on the Science and Applications<br />

<strong>of</strong> <strong>Photography</strong>, London, September 1953, and to the Rencontres lnternationales<br />

sur le Role de !'Image clans la Civilisation Contemporaine, held at UNESCO, Paris,<br />

May 1955.

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