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Notes on the text<br />

Part I<br />

THE PREHISTORY OF PHOTOGRAPHY<br />

<strong>The</strong> history <strong>of</strong> the camera obscura<br />

1<br />

Pr<strong>of</strong>essor E. Wiedemann in j. M. Eder's jahrbuchfur Photographie, 19ro, p. 12.<br />

2 Roger Bacon, Perspecti11a, Combach's edition, Frankfurt, 1614, p. 166.<br />

3 Joannis Pisanais [de Peckham], Perspectiva vu/go communis appellata rationes visus in radiationibus<br />

ac lineis visualibus, 38 11., Leipzig, 1504, Part I, prop. 5.<br />

4 MS. no. 728 l, folio 143, at the Bibliotheque Nationale, Paris. First translated and published<br />

by E. Littre in Histoire litteraire de la France, vol. xxv, Paris, l 869.<br />

5 <strong>The</strong>oricae novae planetaru111 Georgii Purbachii Germani ab Erasmo Reinholdo auctae, Wittenberg,<br />

1542, pp. 131-2.<br />

6 Gemma-Frisius, De radio astronomico et geometrico liber, Antwerp and Louvain, 1 ' 545, p. J2.<br />

7 Giorgio Vasari, Lives 0:.f the Painters, Sculptors and Architects, Everyman's edit;on, 1927, vol. i,<br />

p. 347.<br />

8 Giorgio Vasari, Vite de' piu eccellenti pittori, scultori e architetti, Milan, 1807-11, vol. v, p. 81.<br />

9 Gainsborough's apparatus and glass paintings were reproduced in <strong>The</strong> Illustrated London<br />

News, 20 Jan. 1934. <strong>The</strong>y are at the Victoria & Albert Museum, London.<br />

1 0 MS. in the Biblioteca Ambrosiana, Milan, with a diagram on folio 337, recto a.<br />

1 1 MS. in the Institut de France, Paris, folio 8.<br />

12 Venturi, Essai sur /es ouvrages physico-mathematiques de Leonard de Vinci, Paris, 1797.<br />

13 Vitruvius, De architectura libri dece, traducti de latino in vulgare affigurati, Como, 1 52 l, book i,<br />

leaf 23, verso.<br />

14 Hieronymi Cardani, De Subtilitate libri xxi, Nuremberg, 1550. In book iv, p. ro7.<br />

15 Jo. Baptista Porta, 1'vfagiae natural is, sive de miraculis rerum naturalium, libri iiii, Naples, 15 58.<br />

1 6 Jo. Baptista Porta, Magiae naturalis libri xx, Naples, 1589.<br />

17 Natural Magick by John Baptista Porta, a Neapolitaine : in twenty books, published by Thomas<br />

Young and Samuel Speed, London, 1658, pp. 363 et seq. Second English edition published<br />

by John Wright, London, 1669. <strong>The</strong> first description in English <strong>of</strong> the camera obscura<br />

(based on Porta) is contained in Henry van Etten's [pseud. for Claude Mydorge] Mathematical/<br />

Recreations, London, 1633, Problem II, pp. 6-9, with two small illustrations.<br />

This was an amended edition with critical comments by W. Oughtred <strong>of</strong> an earlier work<br />

by Jean Leurechon, Examen du li11re des recreations mathematiques, Paris, 1624.<br />

18 Daniele Barbaro, La Pratica de/la perspettiva, Venice, 1 568, chap. v, p. 192.<br />

1 9 Ignatio Danti, La prospetti11a di Euclide, Florence, 1573 .<br />

2 0 Jo. Batistae Benedicti, Di11ersarum speculationum mathematicarum et physicarum liber, Turin,<br />

I 58 5, p. 270.<br />

2' Daniel Schwenter, Deliciae physico-mathematicae, Nuremberg, 1636, p. 255. Posthumously<br />

published.<br />

22 Kaspar Schott, Magia universalis naturae et artis, Herbipoli (Wiirzburg), 1657, p. 87.<br />

23 Friedrich Risner, Opticae, posthumously published, Kassel, 1606.

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