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HF The History of Photography 600pág

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29 Emulsion papers and mass-production printing<br />

<strong>The</strong> slowness <strong>of</strong> albumen paper, and its liability to fade, led several experimenters to<br />

try applying to paper emulsions similar to those evolved for dry plates.<br />

Collodio-chloride paper. Shortly after Sayce and Bolton's publication <strong>of</strong> their collodion<br />

bromide emulsion for negatives, GEORGE WHARTON SIMPSON, editor <strong>of</strong> <strong>The</strong><br />

Photographic News, introduced a collodio-chloride <strong>of</strong> silver emulsion paper1 which<br />

was considerably more sensitive and permanent than albumen paper and, like it, was<br />

<strong>of</strong> the printing-out variety. In spite <strong>of</strong> its obvious advantages, however, no British<br />

firm undertook its manufacture, though in 1868 ]. B. Obernetter <strong>of</strong> Munich successfully<br />

introduced it into Germany. In the 188os and 189os it was made by a number<br />

<strong>of</strong> firms and traded under the name <strong>of</strong> ' Aristotypie'. <strong>The</strong> emulsion was also used for<br />

positive pictures on opal glass.<br />

Gelatine bromide paper. Gelatine silver bromide paper was invented and first produced<br />

in 1873 by PETER MAWDSLEY, founder and manager <strong>of</strong> the Liverpool Dry<br />

Plate & Photographic Printing Company. He recommended it, both for the production<br />

<strong>of</strong> paper negatives and for positive copies, in an article he contributed to <strong>The</strong><br />

British Journal Photographic Almanac for the year 1874, stressing the advantages <strong>of</strong> the<br />

negative paper as compared with the weight and fragility <strong>of</strong> glass plates, and its lower<br />

price-it was 20-25 per cent. cheaper-as well as its great speed for positive printing<br />

by development. An exposure <strong>of</strong> a few seconds to gas or other artificial light was<br />

sufficient, and to Mawdsley the advantages <strong>of</strong> bromide paper for direct enlargement<br />

seemed obvious. However, his ideas came eight to ten years before their time, for it<br />

was only the new amateurs who were willing to try paper negatives and whose desire<br />

for small hand cameras led to a demand for enlarging. Pr<strong>of</strong>essionals working with<br />

large plate cameras were content with the status quo, and so Mawdsley's emulsion<br />

paper shared the fate <strong>of</strong> Kennett's gelatine dry plate-both brilliant inventions lacking<br />

popular support.<br />

Probably unaware <strong>of</strong> Mawdsley's earlier invention, which had not been secured<br />

by a patent, J. w. sw AN patented gelatine bromide paper in July 1879. He also recommended<br />

this development paper for contact printing and enlarging, and stressed its<br />

suitability for mass-production printing. 'To facilitate printing at a uniform and rapid<br />

rate, the sensitive paper may be used in long bands, and by means <strong>of</strong> automatic<br />

mechanism may be moved on step by step periodically through a space equal to the<br />

width or length <strong>of</strong> the print, the negative being screened from the light during the<br />

moven1ent.'<br />

By 1880 two makes <strong>of</strong> gelatine bromide paper were on the market-those <strong>of</strong><br />

Mawson & Swan and <strong>of</strong> W. T. Morgan & Co. (later MORGAN & KIDD) <strong>of</strong> London,

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