Edited by Moe Meyer - Get a Free Blog

THE CAMP TRACE IN CORPORATE AMERICA 155
Liberace. 1985. Program booklet. Los Angeles: The James Agency.
Love, Judith Anne. 1980. Thirty Thousand Kicks: What’s It Like to Be a Rockette?
Hicksville, New York: Exposition Press.
Luke, Timothy W. 1992. Shows of Force: Power, Politics, and Ideology in Art
Exhibitions. Durham: Duke University Press.
MacAloon, John J. 1984. “Olympic Games and the Theory of Spectacle in Modern
Societies.” In John J.MacAloon (ed.). Rite, Drama, Festival, Spectacle: Rehearsals
toward a Theory of Cultural Performance. Philadelphia: Institute for the Study of
Human Issues, 241–280.
MacCannell, Dean. 1976. The Tourist: A New Theory of the Leisure Class. New York:
Schocken.
Markert, Russell. 1955. “My 46 Dancing Daughters.” The American Magazine May:
38–41, 112, 115–117.
——n.d. “No Stage Too Large.” Radio City Music Hall Program Magazine 6 June:
11–12.
Martin, Randy. 1990. Performance as Political Act: The Embodied Self. New York:
Bergin and Garvey Publishers.
Marx, Karl. 1977. Capital, Volume One. Trans. B.Fowkes. New York: Vintage Books.
Moore, Alexander. 1980. “Walt Disney World: Bounded Ritual Space and the Playful
Pilgrimage Center.” Anthropological Quarterly 53/4:207–218.
Nixon, Richard. 1971. Letter to Russell Markert on the occasion of his retirement. 19
October. Archives, Radio City Music Hall.
Petrie, Ursula. 1947. “Revolt among the Rockettes.” Herald-American, Saturday Home
Magazine (Chicago) 12 July.
Rabinbach, Anson. 1992. The Human Motor: Energy, Fatigue, and the Origins of
Modernity. Berkeley: University of California Press.
“Radio City Music Hall: Mecca and Magnet.” 1956. Dance Magazine August: 14–23.
Roman, Robert. 1969. “Hide Your Daughters, Here Comes Russ Markert.” Dance
Magazine September: 46–49, 84, 86–87, 89–90.
Rothafel, R.L. 1932a. “The Heart Is the Target.” Woman’s Home Companion July:
13–14.
——1932b. Variety 20 December: 57–58.
Russo, Vito. 1987. The Celluloid Closet: Homosexuality in the Movies. New York:
Harper and Row.
Scott, James C. 1990. Domination and the Arts of Resistance: Hidden Transcripts. New
Haven: Yale University Press.
Sedgwick, Eve Kosofsky. 1990. Epistemology of the Closet. Berkeley: University of
California Press.
Stewart, Susan. 1984. On Longing: Narratives of the Miniature, the Gigantic, the
Souvenir, the Collection. Baltimore: Johns Hopkins University Press.
Terry, Walter. 1982. “One, Two, Three, Kick.” Ballet News 4/2:17.
Thomas, Bob. 1987. Liberace: The True Story. New York: St. Martin’s Press.
Thompson, Michael. 1979. Rubbish Theory: The Creation and Destruction of Value.
Oxford: Oxford University Press.
Turner, Victor. 1977. The Ritual Process: Structure and Anti-Structure. Ithaca: Cornell
University Press.
Wagner, Roy. 1981. The Invention of Culture. Chicago: University of Chicago Press.
Waring, James. 1967. “Five Essays on Dancing.” Ballet Review 2/1:65–77.