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CONTENTS List of plates vi List of contributors viii Acknowledgments ix INTRODUCTION Reclaiming the discourse of Camp Moe Meyer 1 PERFORMING “AKIMBO” Queer pride and epistemological prejudice Thomas A.King 2 NARCISSUS IN THE WILDE Textual cathexis and the historical origins of queer Camp Gregory W.Bredbeck 3 UNDER THE SIGN OF WILDE An archaeology of posing Moe Meyer 4 REVAMPING THE GAY SENSIBILITY Queer Camp and dyke noir Cynthia Morrill 5 FE/MALE IMPERSONATION The discourse of Camp Kate Davy 6 THE CAMP TRACE IN CORPORATE AMERICA Liberace and the Rockettes at Radio City Music Hall Margaret Thompson Drewal 7 TAKING OUT THE TRASH Camp and the politics of parody Chuck Kleinhans Index 174 1 20 44 65 94 111 128 157
PLATES Plates 1–8 fall between pages 43 and 44 1 Joan Jett Blakk, “The Mayor of Queer Chicago,” 1991, Chicago, by Genyphyr Novak. Courtesy Genyphyr Novak. 2 Charles I a la ciasse, by Sir Anthony van Dyck, 1635. Musée du Louvre. Cliché des Musées Nationaux, Paris. 3 Prince Rupert, from a broadside entitled Englands Wolfe with Eagles Clawes… (London: Printed by Matthew Simmons, 1646). Illustration reengraved by John Ashton, 1883. Courtesy Special Collections Department, Northwestern University Library, Evanston, Illinois. 4 Sir Walter Ralegh and His Son. By permission of the National Portrait Gallery, London. 5 Actor Robert Wilks, from Colley Cibber’s Apology, 1740. Engraving by R.B.Parkes after the portrait by I.Ellys, 1732. Courtesy Special Collections Department, Northwestern University Library, Evanston, Illinois. 6 “Pride,” from Henry Siddons’s Practical Illustrations of Rhetorical Gesture and Action, 1822. Courtesy Special Collections Department, Northwestern University Library, Evanston, Illinois. 7 Antinous and Dancing Master, from William Hogarth, The Analysis of Beauty, 1753. Courtesy Special Collections Department, North-western University Library, Evanston, Illinois. 8 “Contrasted attitudes [of] a man and a fribble,” from John Caspar Lavater’s Essays on Physiognomy, 1789. Engraving by Thomas Holloway. Courtesy the Newberry Library, Chicago, Illinois. Plates 9–16 fall between pages 127 and 128 9 Claire Moed as Sir Oliver Surface and Babs Davy as Sir Peter Teazle in School for Scandal, by Donna Ann McAdams. Courtesy Donna Ann McAdams. 10 Charles Ludlam as Marguerite and Bill Vehr as Armand Duval in Camille, by John Stern. Courtesy John Stern.
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Plate 3 Prince Rupert, from a broad
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Plate 7 Antinous and Dancing Master
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2 NARCISSUS IN THE WILDE Textual ca
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46 THE POLITICS AND POETICS OF CAMP
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112 FE/MALE IMPERSONATION pieces th
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114 FE/MALE IMPERSONATION practitio
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116 FE/MALE IMPERSONATION This meta
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118 FE/MALE IMPERSONATION specifica
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120 FE/MALE IMPERSONATION great tra
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122 FE/MALE IMPERSONATION In her pr
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124 FE/MALE IMPERSONATION Dynes emp
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126 FE/MALE IMPERSONATION Case, Sue
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Plate 9 Claire Moed as Sir Oliver S
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Plate 11 Richard Halverson as Lady
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Plate 14 Liberace in long cape with
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Plate 16 Liberace was Count Dracula
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THE CAMP TRACE IN CORPORATE AMERICA
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The key value, however, among these
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eternal youthfulness; and the way h
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7 TAKING OUT THE TRASH Camp and the
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THE POLITICS AND POETICS OF CAMP 15
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homosocialism 35-6, 43-4 Hutcheon,
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