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Ackroyd, P. 135<br />

ACT UP 1, 7<br />

ageism 2<br />

Althusser, L. 100<br />

appropriation 1, 5, 10, 14–18, 187–8<br />

Babuscio, J. 187, 195<br />

Balzac 78–81<br />

Barbette, see Cocteau<br />

Barthes, R. 54, 100, 117–19, 197<br />

Beaver, H. 172<br />

Blachford, G. 11<br />

Blakk, Joan Jett 6–7<br />

Butler, J. 4<br />

Butler, S. 33, 37<br />

Camp:<br />

in activism 1, 5–6, 52;<br />

and aristocracy 24;<br />

and butch-femme 141–5<br />

and the closet 143;<br />

as critique 1–2, 10, 12, 18, 23–4, 44–6,<br />

75, 120, 167, 177–8, 188, 195–6, 199;<br />

discourse of 1, 12, 14, 143–5, 188,<br />

etymology 29, 75–6;<br />

gesture 4–5, 24–31, 37, 45–6, 75, 105;<br />

as irony 114–15, 134;<br />

as masquerade 110–12, 134–5, 144;<br />

as parody 2, 7, 9–11, 185, 188–9, 196–<br />

7;<br />

as performance 5, 46, 110, 139;<br />

politicization 1, 6–7, 51–2;<br />

and Pop 5, 7, 13–17;<br />

and the postmodern 110–11;<br />

and psychoanalytic 111–12;<br />

INDEX<br />

174<br />

as queer visibility 5, 17;<br />

as sensibility 1, 8, 10, 116–17, 145,<br />

194–5;<br />

as style 1;<br />

as trace 13–14, 150–1, 172;<br />

see also kitsch;<br />

Theatre of the Ridiculous<br />

Case, S. 113, 141–3, 145<br />

Cocteau, J. 135–7<br />

constructionism 3–4, 6, 96<br />

De Lauretis, T. 141–6<br />

Delsarte 76–7, 79–82, 85, 87–8<br />

Dollimore, J. 55<br />

drag 6, 132–8, 140, 143–5, 173–7, 189–91<br />

Dyer, R. 186–7, 195<br />

dyke noir 120–4<br />

effeminacy 26–7, 35, 43<br />

Ellis, H. 57, 64, 105<br />

essentialism 3, 6<br />

Feuer, J. 185<br />

Foucault, M. 12, 104<br />

Freud, S. 59–63, 65, 67–9, 122–3<br />

gay and lesbian, see queer<br />

Giddens, A. 102–3<br />

heterosexuality 63, 65, 114, 142–3, 173,<br />

176;<br />

see also un-queer<br />

homophobia 119–20, 123–4<br />

homosexuality, construction of 3–5, 23–4,<br />

99–105

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