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Ackroyd, P. 135<br />
ACT UP 1, 7<br />
ageism 2<br />
Althusser, L. 100<br />
appropriation 1, 5, 10, 14–18, 187–8<br />
Babuscio, J. 187, 195<br />
Balzac 78–81<br />
Barbette, see Cocteau<br />
Barthes, R. 54, 100, 117–19, 197<br />
Beaver, H. 172<br />
Blachford, G. 11<br />
Blakk, Joan Jett 6–7<br />
Butler, J. 4<br />
Butler, S. 33, 37<br />
Camp:<br />
in activism 1, 5–6, 52;<br />
and aristocracy 24;<br />
and butch-femme 141–5<br />
and the closet 143;<br />
as critique 1–2, 10, 12, 18, 23–4, 44–6,<br />
75, 120, 167, 177–8, 188, 195–6, 199;<br />
discourse of 1, 12, 14, 143–5, 188,<br />
etymology 29, 75–6;<br />
gesture 4–5, 24–31, 37, 45–6, 75, 105;<br />
as irony 114–15, 134;<br />
as masquerade 110–12, 134–5, 144;<br />
as parody 2, 7, 9–11, 185, 188–9, 196–<br />
7;<br />
as performance 5, 46, 110, 139;<br />
politicization 1, 6–7, 51–2;<br />
and Pop 5, 7, 13–17;<br />
and the postmodern 110–11;<br />
and psychoanalytic 111–12;<br />
INDEX<br />
174<br />
as queer visibility 5, 17;<br />
as sensibility 1, 8, 10, 116–17, 145,<br />
194–5;<br />
as style 1;<br />
as trace 13–14, 150–1, 172;<br />
see also kitsch;<br />
Theatre of the Ridiculous<br />
Case, S. 113, 141–3, 145<br />
Cocteau, J. 135–7<br />
constructionism 3–4, 6, 96<br />
De Lauretis, T. 141–6<br />
Delsarte 76–7, 79–82, 85, 87–8<br />
Dollimore, J. 55<br />
drag 6, 132–8, 140, 143–5, 173–7, 189–91<br />
Dyer, R. 186–7, 195<br />
dyke noir 120–4<br />
effeminacy 26–7, 35, 43<br />
Ellis, H. 57, 64, 105<br />
essentialism 3, 6<br />
Feuer, J. 185<br />
Foucault, M. 12, 104<br />
Freud, S. 59–63, 65, 67–9, 122–3<br />
gay and lesbian, see queer<br />
Giddens, A. 102–3<br />
heterosexuality 63, 65, 114, 142–3, 173,<br />
176;<br />
see also un-queer<br />
homophobia 119–20, 123–4<br />
homosexuality, construction of 3–5, 23–4,<br />
99–105