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homosocialism 35–6, 43–4
Hutcheon, L. 9–10
inversion 54–8, 62–3, 66
Jackson, E. 144
Jameson, F. 99
kitsch 182–5, 188;
see also Liberace
Koestenbaum, W. 102
Lavater, J. 39
Liberace:
and capitalism 161–2, 170–1;
in concert 154–61;
and gay identity 149–50, 172, 175;
and kitsch 152–3;
and parody 155, 157, 175;
and transvestism 173–4;
and the vampire 161–2, 173–4
Lovell, T. 12
mollies 23–4, 27, 40–5
narcissism 29, 31–2, 59–60, 63–5, 67–9,
122;
see also inversion
Narcissus 53–8, 66, 69
Newton, E. 134–5
objectivism, critique of 8–9, 12–13
parody 2, 9–11, 194–9;
see also Camp
performance theory 4–5, 9–10
Phoenix of Sodom 28–9, 41–2
pride, see narcissism
queer:
as ageny 10, 13;
as cultural critique 1–2, 10, 18;
as discourse 1, 14, 119;
as identity 1–5;
invisibility 9, 11–17, 113–15;
performativity 4–5;
as refusal 3;
in representation 5, 11, 13–15, 17, 112,
118–19, 133;
subjectivity 2–3, 14, 40–3, 76, 119;
visibility 5, 11
Queer Nation 1, 6–7
Radical Faeries 1
Rockettes 156–9, 162–6, 170–3, 176
Ross, A. 13–17, 124–5
Sarris, A. 193
Schulman, S. see dyke noir
sexology 55–9, 68–9, 94–5
Shaftesbury, third earl of 33–7
Sontag, S. 5, 7–8, 23–4, 32, 36, 115–17,
185–7, 194;
see also appropriation
spectacle 166–8
Stonewall 124, 5
taste, see value discourse
Theatre of the Ridiculous 133, 137–41
transvestism, see drag
un-queer 1, 5, 17
value discourse 14–16, 35–6, 117, 153–61;
177–8, 189
virtuosi 15–16, 33–9
Ward, E. 37, 42–4
Wilde, Oscar:
and Camp 51–3, 76, 105;
and dandyism 77–81;
“Disciple” 53–8, 66–8;
Picture of Dorian Gray 86–8;
“Portrait of Mr. W.H.” 84–5, 88;
trials 90–7, 99–105
WOW Cafe 130–4
INDEX 175