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Plate 7 Antinous and Dancing Master, from William Hogarth, The Analysis of Beauty, 1753.
Plate 8 “Contrasted attitudes [of] a man and a fribble,” from John Caspar Lavater’s Essays on Physiognomy, 1789. Engraving <strong>by</strong> Thomas Holloway.
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THE POLITICS AND POETICS OF CAMP
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First published 1994 by Routledge 1
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CONTENTS List of plates vi List of
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11 Richard Halverson as Lady Enid a
Page 10 and 11: ACKNOWLEDGMENTS I would like to tha
Page 12 and 13: 2 THE POLITICS AND POETICS OF CAMP
Page 30 and 31: 1 PERFORMING “AKIMBO” Queer pri
Page 54 and 55: Plate 1 Joan Jett Blakk, “The May
Page 56 and 57: Plate 3 Prince Rupert, from a broad
Page 58 and 59: Plate 5 Actor Robert Wilks, from Co
Page 62 and 63: 2 NARCISSUS IN THE WILDE Textual ca
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92 THE POLITICS AND POETICS OF CAMP
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4 REVAMPING THE GAY SENSIBILITY Que
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96 REVAMPING THE GAY SENSIBILITY re
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98 REVAMPING THE GAY SENSIBILITY cr
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100 REVAMPING THE GAY SENSIBILITY m
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102 REVAMPING THE GAY SENSIBILITY t
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104 REVAMPING THE GAY SENSIBILITY p
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106 REVAMPING THE GAY SENSIBILITY c
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108 REVAMPING THE GAY SENSIBILITY o
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110 REVAMPING THE GAY SENSIBILITY J
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112 FE/MALE IMPERSONATION pieces th
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114 FE/MALE IMPERSONATION practitio
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116 FE/MALE IMPERSONATION This meta
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118 FE/MALE IMPERSONATION specifica
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120 FE/MALE IMPERSONATION great tra
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122 FE/MALE IMPERSONATION In her pr
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124 FE/MALE IMPERSONATION Dynes emp
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126 FE/MALE IMPERSONATION Case, Sue
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Plate 9 Claire Moed as Sir Oliver S
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Plate 11 Richard Halverson as Lady
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Plate 14 Liberace in long cape with
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Plate 16 Liberace was Count Dracula
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THE CAMP TRACE IN CORPORATE AMERICA
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The key value, however, among these
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eternal youthfulness; and the way h
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7 TAKING OUT THE TRASH Camp and the
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THE POLITICS AND POETICS OF CAMP 15
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homosocialism 35-6, 43-4 Hutcheon,
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