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CONTRIBUTORS
Gregory W.Bredbeck is Associate Professor of English at the University
of California, Riverside. His most recent book is Sodomy and Interpretation:
Marlowe to Milton. He is currently preparing a new book entitled Stone/Wall:
Representational Histories of Queer Identity.
Kate Davy is Associate Professor of Drama and Women’s Studies and
Associate Dean of the School of Fine Arts at the University of California,
Irvine. She is the author of Richard Foreman and the Ontological-Hysteric
Theatre and editor of Richard Foreman: Plays and Manifestos. She is
preparing a book about the artists affiliated with the WOW Cafe in New York.
Margaret Thompson Drewal is Associate Professor of Performance
Studies at Northwestern University. She is co-author, with Henry John
Drewal, of Gelede: Art and Female Power among the Yoruba, and the author
of Yoruba Ritual: Performers, Play, Agency (Indiana University Press, 1992).
Thomas A.King is Assistant Professor of English at Brandeis University. He
is preparing a book entitled The Tactical Body: Staging Identity in London,
1660–1740.
Chuck Kleinhans is Associate Professor of Radio, Television, Film at
Northwestern University. He is editor of Jump Cut, journal of film theory and
criticism, and is preparing a new book entitled Mass Culture and
Countercultures: The Dialectics of Media and Change.
Moe Meyer is Mellon Fellow in Contemporary Arts Criticism at the
California Institute of the Arts. He is preparing a book entitled Oscar Wilde’s
Body: A Study in Containment and Camp.
Cynthia Morrill is a graduate student in the Department of English,
University of California, Riverside, where she is completing her dissertation,
“The Performance of Queerness.”