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NARCISSUS IN THE WILDE 61<br />

homosexuality. For a full discussion of the vexed status of the term “inversion,” see<br />

Halperin 15–18.<br />

4 For extensive social and legal discussions of the relationship between the Wilde<br />

trial and the development of contemporary gay politics, see Weeks 91–117, 171–<br />

181, 265; Marshall; and Lumsden.<br />

5 See also Ed Cohen, “Writing Gone Wilde,” for an examination of the ways in<br />

which The Picture of Dorian Gray intersects with theories of sexual inversion in<br />

order to produce a homosexual identity. On this point see also Regenia Gagnier<br />

140.<br />

6 My stress on a chronology based on “cultural currents” rather than direct textual<br />

indebtedness is meant to indicate the extent to which both sexology and literature<br />

channel dominant cultural motifs that very often find an origin much earlier. See<br />

Dijkstra for a convincing documentation of the “reactionary” status of sexology.<br />

Dijkstra concluded that “it is thus clear that the ‘discovery’ of narcissism and the<br />

autoerotic mentality <strong>by</strong> the psychoanalytic community trailed behind the vogue for<br />

the same subject on the part of artists and writers <strong>by</strong> quite a bit” (147, 144–155<br />

passim).<br />

7 Wayne Koestenbaum also notes a similar iconography of green that involves Wilde.<br />

The fin-de-siècle Uranian poet Marc-André Raffalovich, it seems, marked all the<br />

books in his library written <strong>by</strong> inverts with “bookplates of a green serpent—<br />

suggesting not only a phallus, but Wilde’s green carnation” (46).<br />

8 This moment in sexology seems to bear out what Eve Sedgwick means when she<br />

says, “The question of how same-sex desire could be interpreted in terms of gender<br />

was bitterly embattled almost from the beginnings of male homosexual taxonomy”<br />

(134).<br />

9 Anlehnungstypus, the German word translated <strong>by</strong> “anaclitic,” literally means<br />

“leaning-up-against” (Freud 1914:69 n.13).<br />

10 A complementary argument to this formulation can be found in Judith Butler.<br />

Butler posits a stressed reading of Freudian and Lacanian psychoanalytic theory in<br />

order to reach the deconstructive stance that “We might then rethink the very<br />

notions of masculinity and femininity constructed here as rooted in unresolved<br />

homosexual cathexes” (54, 35–78 passim). This is a theoretical inversion perfectly<br />

appropriate to a discussion of sexual inversion.<br />

11 All of the quotations here appear in the original 1905 edition of the Three Essays.<br />

As such, they can be thought of as revealing an originary fluidity that becomes<br />

increasingly subjugated as Freud adds to the essays in subsequent editions. The<br />

evolution of the Three Essays seems to imitate the ultimate model of Freudian<br />

development, in which polymorphous fluidity becomes masked and territorialized<br />

<strong>by</strong> the cultural narrative of Oedipal reproduction.<br />

12 Ibid. The second phase of infantile sexual development, following the oral but<br />

preceding the genital, is the sadistic anal (1905:64).<br />

13 For a further examination of this letter, as well as for a cogent political examination<br />

and defense of Freud and homosexuality, see Fletcher.<br />

14 While Ellis seems here to maintain narcissism as a purely nonanaclitic activity, in his<br />

essay on auto-eroticism he too associates narcissism with femininity, which again<br />

grounds the concept on an anaclitic base. For a discussion of the relationship<br />

between auto-eroticism, narcissism, and femininity, see Dijkstra 119–159.

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