Post- Digital Print - Monoskop

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keywords and concepts are listed in both their digital and paper incarnations. We end with this ‘conceptual slide show’ in an effort to temporarily ‘archive’ the current state of the research process initiated with this book, which is certain to be continued elsewhere – understanding fully well that print and pixel, cellulose and electricity are finally getting married (which is of course where the real problems begin), but also that their vital and dynamic relationship should above all be seen as an important historical opportunity for a new wave of meaningful, creative and independent publishing. 12
Page 1 and 2: Post- Digital Print The Mutation of
Page 3: Post- Digital Print The Mutation of
Page 6 and 7: 3.2.1 Automated content: the news f
Page 8 and 9: Newspaper extinction timeline, 2011
Page 10 and 11: The two media are clashing as well,
Page 12 and 13: immaterial times - explores the cur
Page 17 and 18: chapter 1 The death of paper (which
Page 19 and 20: 1.2 wires will strangle the sluggis
Page 21 and 22: another (audio) is depicted even mo
Page 23 and 24: jokingly advocated mass book burnin
Page 25 and 26: seminal analysis of a new media-inn
Page 27 and 28: ‘virtualising’ paper) as a mean
Page 29 and 30: In fact, it seems much easier to di
Page 31 and 32: number of specific types of publish
Page 33 and 34: chapter 2 A history of alternative
Page 35 and 36: a prolific pamphleteer, as well as
Page 37 and 38: graphic elements. Later on, even co
Page 39 and 40: the mimeograph the ideal medium for
Page 41 and 42: multi-directional strategy on print
Page 43 and 44: 2.5 the underground press boom, off
Page 45 and 46: By 1969, virtually every sizeable c
Page 47 and 48: Another specific sub-genre within M
Page 49 and 50: Precoce, a fanzine edited by Tommas
Page 51 and 52: 1990s saw an unprecedented peak in
Page 53 and 54: use offset printing, photocopies, p
Page 55 and 56: President. The fake special edition
Page 57 and 58: 3.1 the mass slaughter of newspaper
Page 59 and 60: Robert Thomson, an editor of the Wa
Page 61 and 62: But commercial magazines have alrea
Page 63 and 64: service by Time, Inc. (discontinued
Page 65 and 66:
new conception of the news: no long
Page 67 and 68:
technical networks. The blogger Lar
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technology. The message of the prin
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And while we’re on the subject of
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Worthington (founder of Mute magazi
Page 75 and 76:
might look like after 100 years, by
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printed content for each individual
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and Martin Fuchs’ Written Images
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purchase a subscription to one or m
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affordable scanners), gave designer
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chapter 4 The end of paper: can any
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during the 1970s by Nick Sheridon.
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in print, but any book that’s eve
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candle, 167 which mimics the aroma
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under development throughout the co
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old’ magazine format which makes
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different dream theories.” In the
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The appeal of these ‘take-away’
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model of periodically publishing ne
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Standardization as ISO 32000-1:2008
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In 1928, El Lissitzky described his
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A few libraries have recently decid
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Visionaire produces each new issue
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half-page, or 500 pixels square, or
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experimenting with a very different
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Functionality - Blogs are published
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own popular (and excellently writte
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a smaller carbon footprint than pri
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unavailable printed content, making
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But we’re not yet used to searchi
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The Internet Archive has also set u
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ever-increasing storage densities (
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one of the most important magazines
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The resulting repositories and data
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The presence of such archives could
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not a representation of the actual
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(in fragments) on its own servers;
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and present them in a somehow ‘tr
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various nodes collectively spreadin
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(and survive) the perilous seas of
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typical pressures by distributors (
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6.3 the network as a large-scale ex
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promising but unrealised community.
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The Canadian Institute for Infinite
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151
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conclusion Post-digital print: a fu
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customisation of printed materials
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157
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production Appendix Print vs. elect
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eal and virtual space 68 Bookshelf
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‘retro’ trend. [iii] The zine a
Page 167 and 168:
In his 1980 article Bookworks Revis
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167
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(Endnotes) All web links accessed o
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78 http://www.seattlepi.com/busines
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158 http://venturebeat.com/2010/04/
Page 177 and 178:
240 Lessig, L. (2008) Remix. Making
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177
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(Subject index) — A 1dollarscan.c
Page 183 and 184:
Fluxus Symphony Orchestra in Fluxus
Page 185 and 186:
Advocate (newspaper), 72 News at Se
Page 187 and 188:
theblogpaper (magazine), 96 thehuma
Page 189 and 190:
(Name index) — A — B Acker, Kat
Page 191 and 192:
— O — P — R — S Obama, Bara
Page 193 and 194:
Onomatopee 77: Cabinet Project Post
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Post- Digital Print - Monoskop

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