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Post- Digital Print - Monoskop

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under development throughout the computer industry) should feature<br />

a vertical screen, as well as a completely new interface (thus avoiding<br />

any preconceived computer conventions). 172 News would be updated in<br />

real time through a wireless connection to the host newspaper and possibly<br />

even read out loud by celebrity voices (something which Octave<br />

Uzanne and Albert Robida 173 would have been proud of; see chapter<br />

1.2). Peggy Bair, the Information Design Lab’s applications manager,<br />

declared that “We accept it may be 20 years before as many people<br />

subscribe to an electronic news service as they do to other forms.<br />

Already, 60% of newspaper costs are in manufacture and delivery.” 174<br />

So after nearly two decades we now have the iPad, the realisation<br />

of a concept incorporating several elements of Fidler’s vision. Aside<br />

from the embedded platforms (iBooks and whatever else may come in<br />

the future) and the predictable multitude of ‘clones’, this is clearly an<br />

attempt by Apple to establish a new category of device (the simplest of<br />

computers, specifically designed for accessing media) while supplanting<br />

a previously established category (the e-book reader). For the first<br />

time, books and magazines are regarded here as completely equivalent<br />

to video and music. Meanwhile, the basic physical gestures of reading,<br />

which are of course a fundamental part of the ‘interface’ of printed<br />

91<br />

An example of an<br />

eye-tracking device,<br />

software interface and<br />

visualisation used for a<br />

newspaper project.

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