Post- Digital Print - Monoskop

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In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avantgarde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 9 789078 454878 90000 >
Post- Digital Print The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1
Page 1: Post- Digital Print The Mutation of
Page 6 and 7: 3.2.1 Automated content: the news f
Page 8 and 9: Newspaper extinction timeline, 2011
Page 10 and 11: The two media are clashing as well,
Page 12 and 13: immaterial times - explores the cur
Page 14: keywords and concepts are listed in
Page 18 and 19: called into question by a number of
Page 20 and 21: One of the postcards from the serie
Page 22 and 23: style reflecting the machine’s st
Page 24 and 25: every hour, twenty-four hours a day
Page 26 and 27: central role by other media.” 19
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Page 30 and 31: text. When the boundless cultural s
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Page 34 and 35: Example of a ‘Biblia Pauperum’
Page 36 and 37: journal of the Futurist movement, 3
Page 38 and 39: Autographic printing, a mimeograph
Page 40 and 41: ODD issue #9, a U.S. sciencefiction
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Page 44 and 45: Cover of Liberation News Service #2
Page 46 and 47: an integral element of the Punk cul
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A screenshot from William Gibson’
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Cover page of New York Times Specia
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Chapter 3 The mutation of paper: ma
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Standard in the U.K. 84 ) in order
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Michael Mandiberg, Old News, 2009 u
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Less than a decade later, the finan
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McCormick School of Engineering (in
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Screenshot of Jonathan Puckey’s T
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B. Richter and Dirk Reinbold, which
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The three phases of Helmut Smits’
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3.5 print on demand, the balance of
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Espresso Book Machine, 2008 books a
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Fiona Banner, Book 1 of 1, 2009 mom
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Karsten Schmidt’s generated Faber
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Using FLOSS software for publishing
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Amsterdam Weekly imaginative fundra
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andom. The types released by FontFo
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A vision of the book reader of the
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Jeff Bezos on the cover of Newsweek
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using a free program called KindleG
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- A well-organised online platform
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Knight Ridder’s Roger Fidler with
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These have always been two more or
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Clockwise from top left Little Prin
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twenty million readers. Incidentall
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Amazon interface after installing t
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published by mimoZine218 ), informa
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A vision of a future ‘electronic
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Robotlab, bios [bible], 2007 amount
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Cover of Cory Doctorow’s book Wit
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Tim Devin, Email Flyer Project, 200
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exceptions such as Pete Jordan’s
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content, we might refer to its URL
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content actually (perhaps even pred
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chapter 5 Distributed archives: pap
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A female hand, probably turning pag
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Internet Archive containers designe
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The Playboy Cover to Cover Hard Dri
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solution to every imaginable proble
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cover images, tables of contents an
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small and independent publications
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Left Cody Trepte, 1 Year of Archive
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is rendered physically. In the seco
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A 19th-century scrapbook Although t
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chapter 6 The network: transforming
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the exorbitant stamp bonds and duti
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eadily embraced by the ongoing Punk
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Acoustic Space, Riga); Slavo Krekov
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the editors through an online platf
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The original and the ‘limited-edi
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which make it possible for us to ac
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new and sophisticated forms of conn
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computer-generated, thus disrupting
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structure (internal) 30 Colour addi
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Afterword by florian cramer The Ame
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Still - and despite its subject mat
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fear may already have expired by th
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36 http://en.wikipedia.org/wiki/Bib
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116 http://www.bookcrossing.com/ 11
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196 http://en.wikipedia.org/wiki/EP
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282 http://www.nytimes.com/ref/memb
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— D Colophon (symposium), 78 Comm
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La Nature (journal), 35 La Révolut
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eadme.cc, 150 Reason (magazine), 75
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— G — H — I — J — K Fitzp
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— Y — Z Wells, Herbert George,
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Post- Digital Print - Monoskop

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