Post- Digital Print - Monoskop

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3.2.1 Automated content: the news follows the reader. 61 3.3 Preemptive news: the battle for the online attention market. 62 3.4 Space, physicality, and repeatability of print. 66 3.4.1 The publishing gesture. 67 3.5 Print on demand, the balance of power between paper and pixel. 70 3.5.1 Vanity press, freedom of expression and self-gratification. 72 3.5.2 The frontiers of POD: customisation and open source 74 3.6 Independent magazine strategies, teaming up for success. 78 3.7 The automated digital production trap. 80 3.8 Print and digital are getting married, and that’s exactly where the real problems start. 82 Chapter 4 – The end of paper: can anything actually replace the printed page? 83 4.1 Electronic paper, the basis of electronic publishing. 84 4.1.1 The Bezos vision: Kindle the world. 85 4.1.2 Resisting the e-book paradigm. 87 4.1.3 The iPad paradigm: publishing for the iCustomer. 89 4.1.4 The turning point: electronic content with the look and feel of print. 93 4.1.5 Newspapers on-screen and off-screen. 95 4.2 ‘Reflowability’: mobile style in reading and writing. 97 4.3 Delivering content, from discs to wireless networks. 98 4.4 Going digital: vanishing libraries. 102 4.5 Print becomes a limited-edition object. 106 4.5.1 Intermediate strategies: using digital media for selling print. 108 4.6 Post-digital print. 109 4.7 Print and online: friend or foe? Conceptual differences and similarities between print and blogs. 111 4.8 Which is more environmentally friendly: print or digital? 115 4.9 Paper is flesh. Screen is metal. 117 4
Chapter 5 – Distributed archives: paper content from the past, paper content for the future. 118 5.1 The ‘online giants’ and their approach to ‘archiving’ printed materials. 118 5.2 Preserving independent magazines, a controversial struggle. 126 5.3 Distributed Archives, the peer-to-peer archive model. 128 5.3.1 The need for a ‘flowable’ archive form 130 5.4 The art of the archive: hard-copying the digital database. 131 5.5 Scrapbooks, grassroots archiving as a new methodology. 135 Chapter 6 – The network: transforming culture, transforming publishing. 138 6.1 The magazine as network node. 138 6.1.1 Network means distributing, and distribution substantially benefits from the network. 139 6.1.2 The network as infrastructure: agencies, syndicating, and directories. 141 6.1.3 The network as a means of political support and sustainable business: the Punti Rossi (‘Red Points’) project. 142 6.2 Collaboration is better than competition: the Mag.net network. 143 6.3 The network as a large-scale experiment: the Documenta 12 Magazines project. 145 6.4 External support networks, assisting publishing gestures from faraway. 147 6.5 The network: the future starts here. 149 Conclusion Post-digital print: a future scenario 153 Appendix Print vs. electrons: 100 differences and similarities between paper and pixel. 159 Afterword by Florian Cramer 162 5
Page 1 and 2: Post- Digital Print The Mutation of
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Page 8 and 9: Newspaper extinction timeline, 2011
Page 10 and 11: The two media are clashing as well,
Page 12 and 13: immaterial times - explores the cur
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Page 20 and 21: One of the postcards from the serie
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Page 26 and 27: central role by other media.” 19
Page 28 and 29: from George E. Pake, then head of X
Page 30 and 31: text. When the boundless cultural s
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Page 34 and 35: Example of a ‘Biblia Pauperum’
Page 36 and 37: journal of the Futurist movement, 3
Page 38 and 39: Autographic printing, a mimeograph
Page 40 and 41: ODD issue #9, a U.S. sciencefiction
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Page 44 and 45: Cover of Liberation News Service #2
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Michael Mandiberg, Old News, 2009 u
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Less than a decade later, the finan
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McCormick School of Engineering (in
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B. Richter and Dirk Reinbold, which
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The three phases of Helmut Smits’
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3.5 print on demand, the balance of
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Espresso Book Machine, 2008 books a
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Fiona Banner, Book 1 of 1, 2009 mom
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Karsten Schmidt’s generated Faber
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Using FLOSS software for publishing
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Amsterdam Weekly imaginative fundra
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A vision of the book reader of the
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Jeff Bezos on the cover of Newsweek
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using a free program called KindleG
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- A well-organised online platform
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Knight Ridder’s Roger Fidler with
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twenty million readers. Incidentall
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published by mimoZine218 ), informa
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A vision of a future ‘electronic
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Cover of Cory Doctorow’s book Wit
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Tim Devin, Email Flyer Project, 200
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exceptions such as Pete Jordan’s
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content, we might refer to its URL
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content actually (perhaps even pred
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chapter 5 Distributed archives: pap
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A female hand, probably turning pag
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solution to every imaginable proble
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cover images, tables of contents an
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small and independent publications
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is rendered physically. In the seco
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A 19th-century scrapbook Although t
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chapter 6 The network: transforming
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the exorbitant stamp bonds and duti
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the editors through an online platf
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new and sophisticated forms of conn
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— Y — Z Wells, Herbert George,
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Post- Digital Print - Monoskop

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