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Group Analytic Contexts, Issue 77, September 2017

Newsletter of the Group Analytic Society International

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90 <strong>Group</strong>-<strong>Analytic</strong> Society International - <strong>Contexts</strong><br />

Fashions in clothes and in behaviour resemble a<br />

collective dream: they fulfil the wishes of the social<br />

unconscious<br />

This fashion is, to the social unconscious, what a dream is to the<br />

unconscious individual. A group of people, a gang, a generation,<br />

spontaneously create a fashion in behaviour and in dress as their nonverbal<br />

expression (in which a fashion created artificially, in the salons,<br />

may not succeed). Women walk on the highest heels of history;<br />

walking on high heels changes the posture, it is supposed to emphasise<br />

traditional femininity. Many young mothers carry their small children<br />

in a sling, as close as possible to the body; for some women in labour<br />

it is very important to give birth at home and not in an institution.<br />

Young women search for their own route to the body’s natural<br />

resources, to their own identity that begins by experiencing nature in<br />

their own body. Bare feet, natural or even raw food, natural medicine....<br />

Searching, making mistakes, exaggeration, finding, wishing to protect<br />

oneself. From what? What is the name of that danger?<br />

It is the violence done to nature in man, the non-respecting<br />

of the natural boundaries in man.<br />

Coloured, elongated, decorated nails and exaggeratedly<br />

white teeth are another thing belonging to contemporary fashion. Why?<br />

Teeth and nails are physical weapons, especially female (a man’s<br />

physical weapons are his muscles, but their fashion value is lower). It<br />

is as though they are a response to the contemporary ambivalence of<br />

the gender roles: if women should not rely on a man’s protection, there<br />

is nothing for it but to polish and flash their own physical weapons.<br />

Fashion also expresses through the weapons of the body the<br />

increasing general non-reoriented aggression of society. For<br />

comparison: in the 1960s quite different physical components, hair<br />

and beard, were chosen by the social unconscious as a physical<br />

expression of the time, as a fashion. Hair is a part of the body and is,<br />

according to myth – beginning with Samson – an expression of magic<br />

power without need to use body weapons. Hippies, the tribe born after<br />

the war, who discovered and publicised hair as a power symbol of their<br />

generation, believed that they were initiating a world of peace and love<br />

magically. The instinctive force of aggression was at that time<br />

neutralised, reoriented through spontaneous rituals of the communities,<br />

especially live music and dance. Hair symbolised the magic power of<br />

rituals.<br />

As the experience of war grew more distant, the common<br />

reorientation of instincts receded. Instinctive forces began to<br />

accumulate in their un-reoriented, uncultivated form. Energy, as we

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