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Program Guide in pdf - Vancouver International Writers Festival

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20<br />

FRUITS OF LABOUR<br />

KATIE SMITH MILWAY<br />

1 – 2:30 PM<br />

PTC STUDIO<br />

$17 / $8.50 FOR STUDENT GROUPS<br />

For many <strong>Vancouver</strong>-area children, grow<strong>in</strong>g a garden<br />

<strong>in</strong> the backyard is fun and pull<strong>in</strong>g a carrot out of the<br />

ground is a treat. But when 11-year-old Maria, part of a<br />

struggl<strong>in</strong>g farm<strong>in</strong>g family <strong>in</strong> Honduras, is left <strong>in</strong> charge<br />

of the garden, her family’s very survival depends on her<br />

work. When her teacher <strong>in</strong>troduces her to susta<strong>in</strong>able<br />

farm<strong>in</strong>g practices, however, she can beg<strong>in</strong> to transform<br />

and improve the life of her family and her community.<br />

Through rich illustrations and tales of her experiences<br />

<strong>in</strong> Lat<strong>in</strong> America, Katie Smith Milway shows children<br />

ways they, too, can be part of “good gardens” at home<br />

and abroad.<br />

Suitable for grades 2 to 5<br />

This event is sponsored by the<br />

Rix Family Foundation.<br />

SUFFER THE LITTLE CHILDREN<br />

EMMA DONOGHUE, PASCALE QUIVIGER, ROBERT J. WIERSEMA,<br />

KATHLEEN WINTER<br />

8:00 PM<br />

WATERFRONT THEATRE<br />

$19<br />

The complex love between parent and child provides<br />

ample ground for novelists. Four Canadian writers have<br />

each taken a different tack on this theme <strong>in</strong> their new<br />

works. Emma Donoghue’s fi ve-year-old narrator is<br />

trapped <strong>in</strong> a s<strong>in</strong>gle room with his mother, while Kathleen<br />

W<strong>in</strong>ter’s subject is trapped <strong>in</strong> a body that is neither<br />

fully male nor female. Pascale Quiviger and Robert J.<br />

Wiersema approach the theme of the parent-child bond<br />

by tak<strong>in</strong>g forays <strong>in</strong>to the worlds of the fantastic and the<br />

imag<strong>in</strong>ation. But all four pa<strong>in</strong>t compell<strong>in</strong>g portraits that<br />

show us the <strong>in</strong>escapable truth that who you are depends<br />

largely on how you were raised.<br />

18 THE BIG IDEA 19<br />

ANDREA LEVY, CLAUDIO MAGRIS, YANN MARTEL, ANDREW O’HAGAN<br />

HOST: MERILYN SIMONDS<br />

8:00 PM<br />

PERFORMANCE WORKS<br />

$19<br />

Put four deep th<strong>in</strong>kers on the same stage, each<br />

armed with a new novel and big ideas, and you’ve<br />

got the mak<strong>in</strong>gs of a great even<strong>in</strong>g. Orange Prize<br />

w<strong>in</strong>ner Andrea Levy and Man Booker Prize w<strong>in</strong>ner<br />

Yann Martel jo<strong>in</strong> one of Europe’s lead<strong>in</strong>g cultural<br />

philosophers, Claudio Magris, who has won the<br />

Premio Viaregio Tob<strong>in</strong>o (writer of the year) and Andrew<br />

O’Hagan, who has been shortlisted for the Booker, the<br />

IMPAC Dubl<strong>in</strong> and the Whitbread. Their novels tackle big<br />

ideas from the Holocaust to slavery to American culture<br />

to the nature of revolution. This is a qu<strong>in</strong>tessential<br />

<strong>Writers</strong> <strong>Festival</strong> event that will draw the best from the<br />

world’s lead<strong>in</strong>g writers.<br />

20 21<br />

AN INTIMATE EVENING WITH<br />

JANE URQUHART<br />

8:00 PM<br />

PTC STUDIO<br />

$25<br />

When Governor General’s Award–w<strong>in</strong>n<strong>in</strong>g novelist Jane<br />

Urquhart fi nishes writ<strong>in</strong>g a novel, she says she never<br />

knows whether another one is go<strong>in</strong>g to happen; it always<br />

seems like an act of such “unlikely magic”. Luckily<br />

for her readers, this magic occurs quite regularly. In<br />

Sanctuary L<strong>in</strong>e, as <strong>in</strong> her six previous novels, Urquhart’s<br />

lyrical confi dence s<strong>in</strong>gs as loudly as ever. The tale,<br />

weav<strong>in</strong>g elements from n<strong>in</strong>eteenth-century Ireland and<br />

Ontario <strong>in</strong>to gradually unfold<strong>in</strong>g contemporary events<br />

<strong>in</strong> the lives of one family, also threads together three<br />

different but very powerful love stories. Tonight is a rare<br />

opportunity to sit with a Canadian master and <strong>in</strong>dulge <strong>in</strong><br />

the art of her smooth prose.

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