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Program Guide in pdf - Vancouver International Writers Festival

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36<br />

The Songs – a musical<br />

legacy from award<br />

w<strong>in</strong>n<strong>in</strong>g musician,<br />

author & screenwriter<br />

Paul Quarr<strong>in</strong>gton.<br />

AVAILABLE EVERYWHERE.<br />

www.cordovabay.com<br />

MFA<br />

Writ<strong>in</strong>g<br />

<strong>Program</strong><br />

Core Faculty:<br />

Lorna Crozier Tim Lilburn<br />

Joan MacLeod Maureen Bradley<br />

Bill Gaston Lorna Jackson<br />

Lynne Van Luven David Leach<br />

Students focus <strong>in</strong> a selected genre:<br />

fi ction, poetry, creative nonfi ction, or<br />

drama for stage or screen.<br />

In their fi rst year, graduate students<br />

will work as teach<strong>in</strong>g assistants <strong>in</strong> their<br />

genre of writ<strong>in</strong>g. Graduate awards<br />

available <strong>in</strong> the second year.<br />

Apply for Fall 2011 now.<br />

Deadl<strong>in</strong>e: January 15<br />

For more <strong>in</strong>formation:<br />

e-mail writ<strong>in</strong>g@uvic.ca or visit<br />

http://writ<strong>in</strong>g.uvic.ca<br />

DO YOU THINK YOU CAN WRITE?<br />

LYNDA BARRY<br />

9:30 AM –12 NOON<br />

PTC STUDIO<br />

$29<br />

Some years ago the writer and cartoonist Lynda Barry<br />

developed a workshop to help people tap <strong>in</strong>to their<br />

creativity. S<strong>in</strong>ce then she has worked with thousands,<br />

us<strong>in</strong>g a method that is playful, powerful and accessible,<br />

designed not only for established and aspir<strong>in</strong>g writers,<br />

but also for people with a long<strong>in</strong>g to write, or explore<br />

and draw on their own memories. Barry’s latest books,<br />

What It Is and Picture This, are <strong>in</strong>spirational take-home<br />

extensions of her wildly popular approach to writ<strong>in</strong>g. This<br />

is a participatory event, so plan to roll up your sleeves<br />

and learn a th<strong>in</strong>g or two…or three or four.<br />

Please br<strong>in</strong>g a notepad and a pencil or pen.<br />

PACIFIC MEDLEY<br />

JACK HODGINS AND CHOR LEONI<br />

1:30 PM<br />

WATERFRONT THEATRE<br />

$25<br />

61<br />

One of the most memorable and mov<strong>in</strong>g events <strong>in</strong><br />

<strong>Writers</strong> <strong>Festival</strong> history was Maritime Medley, with<br />

Alistair MacLeod and Chor Leoni. This year the focus<br />

moves to the other coast, for beloved author Jack<br />

Hodg<strong>in</strong>s alternat<strong>in</strong>g his chosen read<strong>in</strong>gs with the music<br />

of the same acclaimed male choral group. Hodg<strong>in</strong>s’<br />

writ<strong>in</strong>g and voice r<strong>in</strong>g out the essence of the West<br />

Coast, its idiosyncrasies and its misfi ts. He has captured<br />

the panorama of British Columbia coastal life for four<br />

decades and, accord<strong>in</strong>g to Robert Br<strong>in</strong>ghurst, has given<br />

“British Columbia a place on the literary map of North<br />

America.” Chor Leoni’s repertoire runs the scale from<br />

sombre to comedic, well able to perfectly complement<br />

the passages that Hodg<strong>in</strong>s will read.<br />

This event is sponsored by the<br />

Thea and Leon Koerner Foundation.<br />

63<br />

THE SUNDAY BRUNCH<br />

JOHN GOULD, GENNI GUNN, DAVID MITCHELL, WELLS TOWER,<br />

JANE URQUHART, KATHLEEN WINTER<br />

HOST: SHERYL MACKAY<br />

11 AM<br />

PERFORMANCE WORKS<br />

$33<br />

62<br />

Those who wake up <strong>in</strong> the early hours of the weekend<br />

to the voice of Sheryl MacKay on CBC Radio One’s<br />

North by Northwest don’t have to get up with the birds<br />

this morn<strong>in</strong>g. MacKay, <strong>in</strong> person, will serve up a literary<br />

repast that is sure to satisfy your appetites <strong>in</strong> more<br />

ways than one. With loads of good read<strong>in</strong>gs and large<br />

help<strong>in</strong>gs of merriment, your morn<strong>in</strong>g cup of coffee won’t<br />

be the only hot th<strong>in</strong>g on the go. Come with a friend or<br />

make a new one over croissants and champagne. Be<br />

forewarned, this event is very popular and tables fi ll early.<br />

SHORT STORIES, VARIED VOICES<br />

IVAN E. COYOTE, BILLIE LIVINGSTON,<br />

SARAH SELECKY, TERENCE YOUNG<br />

1:30 PM<br />

PTC STUDIO<br />

$17<br />

How does a short story come to a writer? “I want to say<br />

character, but it’s probably more accurate to say voice,”<br />

expla<strong>in</strong>s Billie Liv<strong>in</strong>gston. “I often write <strong>in</strong> the fi rst<br />

person because I hear a voice fi rst—the narrator rambles<br />

or chatters away <strong>in</strong> my head and I scribble down what<br />

she says.” The short story collection allows for many<br />

voices to be heard by an author. These four authors have<br />

grappled with beg<strong>in</strong>n<strong>in</strong>gs, a more frequent challenge<br />

for the short story writer than for the novelist. Enjoy an<br />

afternoon of hear<strong>in</strong>g voices—many and varied voices—<br />

from masters of the short story genre.<br />

This event is sponsored by the UBC Writ<strong>in</strong>g Centre.<br />

64

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