Program Guide in pdf - Vancouver International Writers Festival
Program Guide in pdf - Vancouver International Writers Festival
Program Guide in pdf - Vancouver International Writers Festival
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36<br />
The Songs – a musical<br />
legacy from award<br />
w<strong>in</strong>n<strong>in</strong>g musician,<br />
author & screenwriter<br />
Paul Quarr<strong>in</strong>gton.<br />
AVAILABLE EVERYWHERE.<br />
www.cordovabay.com<br />
MFA<br />
Writ<strong>in</strong>g<br />
<strong>Program</strong><br />
Core Faculty:<br />
Lorna Crozier Tim Lilburn<br />
Joan MacLeod Maureen Bradley<br />
Bill Gaston Lorna Jackson<br />
Lynne Van Luven David Leach<br />
Students focus <strong>in</strong> a selected genre:<br />
fi ction, poetry, creative nonfi ction, or<br />
drama for stage or screen.<br />
In their fi rst year, graduate students<br />
will work as teach<strong>in</strong>g assistants <strong>in</strong> their<br />
genre of writ<strong>in</strong>g. Graduate awards<br />
available <strong>in</strong> the second year.<br />
Apply for Fall 2011 now.<br />
Deadl<strong>in</strong>e: January 15<br />
For more <strong>in</strong>formation:<br />
e-mail writ<strong>in</strong>g@uvic.ca or visit<br />
http://writ<strong>in</strong>g.uvic.ca<br />
DO YOU THINK YOU CAN WRITE?<br />
LYNDA BARRY<br />
9:30 AM –12 NOON<br />
PTC STUDIO<br />
$29<br />
Some years ago the writer and cartoonist Lynda Barry<br />
developed a workshop to help people tap <strong>in</strong>to their<br />
creativity. S<strong>in</strong>ce then she has worked with thousands,<br />
us<strong>in</strong>g a method that is playful, powerful and accessible,<br />
designed not only for established and aspir<strong>in</strong>g writers,<br />
but also for people with a long<strong>in</strong>g to write, or explore<br />
and draw on their own memories. Barry’s latest books,<br />
What It Is and Picture This, are <strong>in</strong>spirational take-home<br />
extensions of her wildly popular approach to writ<strong>in</strong>g. This<br />
is a participatory event, so plan to roll up your sleeves<br />
and learn a th<strong>in</strong>g or two…or three or four.<br />
Please br<strong>in</strong>g a notepad and a pencil or pen.<br />
PACIFIC MEDLEY<br />
JACK HODGINS AND CHOR LEONI<br />
1:30 PM<br />
WATERFRONT THEATRE<br />
$25<br />
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One of the most memorable and mov<strong>in</strong>g events <strong>in</strong><br />
<strong>Writers</strong> <strong>Festival</strong> history was Maritime Medley, with<br />
Alistair MacLeod and Chor Leoni. This year the focus<br />
moves to the other coast, for beloved author Jack<br />
Hodg<strong>in</strong>s alternat<strong>in</strong>g his chosen read<strong>in</strong>gs with the music<br />
of the same acclaimed male choral group. Hodg<strong>in</strong>s’<br />
writ<strong>in</strong>g and voice r<strong>in</strong>g out the essence of the West<br />
Coast, its idiosyncrasies and its misfi ts. He has captured<br />
the panorama of British Columbia coastal life for four<br />
decades and, accord<strong>in</strong>g to Robert Br<strong>in</strong>ghurst, has given<br />
“British Columbia a place on the literary map of North<br />
America.” Chor Leoni’s repertoire runs the scale from<br />
sombre to comedic, well able to perfectly complement<br />
the passages that Hodg<strong>in</strong>s will read.<br />
This event is sponsored by the<br />
Thea and Leon Koerner Foundation.<br />
63<br />
THE SUNDAY BRUNCH<br />
JOHN GOULD, GENNI GUNN, DAVID MITCHELL, WELLS TOWER,<br />
JANE URQUHART, KATHLEEN WINTER<br />
HOST: SHERYL MACKAY<br />
11 AM<br />
PERFORMANCE WORKS<br />
$33<br />
62<br />
Those who wake up <strong>in</strong> the early hours of the weekend<br />
to the voice of Sheryl MacKay on CBC Radio One’s<br />
North by Northwest don’t have to get up with the birds<br />
this morn<strong>in</strong>g. MacKay, <strong>in</strong> person, will serve up a literary<br />
repast that is sure to satisfy your appetites <strong>in</strong> more<br />
ways than one. With loads of good read<strong>in</strong>gs and large<br />
help<strong>in</strong>gs of merriment, your morn<strong>in</strong>g cup of coffee won’t<br />
be the only hot th<strong>in</strong>g on the go. Come with a friend or<br />
make a new one over croissants and champagne. Be<br />
forewarned, this event is very popular and tables fi ll early.<br />
SHORT STORIES, VARIED VOICES<br />
IVAN E. COYOTE, BILLIE LIVINGSTON,<br />
SARAH SELECKY, TERENCE YOUNG<br />
1:30 PM<br />
PTC STUDIO<br />
$17<br />
How does a short story come to a writer? “I want to say<br />
character, but it’s probably more accurate to say voice,”<br />
expla<strong>in</strong>s Billie Liv<strong>in</strong>gston. “I often write <strong>in</strong> the fi rst<br />
person because I hear a voice fi rst—the narrator rambles<br />
or chatters away <strong>in</strong> my head and I scribble down what<br />
she says.” The short story collection allows for many<br />
voices to be heard by an author. These four authors have<br />
grappled with beg<strong>in</strong>n<strong>in</strong>gs, a more frequent challenge<br />
for the short story writer than for the novelist. Enjoy an<br />
afternoon of hear<strong>in</strong>g voices—many and varied voices—<br />
from masters of the short story genre.<br />
This event is sponsored by the UBC Writ<strong>in</strong>g Centre.<br />
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