Program Guide in pdf - Vancouver International Writers Festival
Program Guide in pdf - Vancouver International Writers Festival
Program Guide in pdf - Vancouver International Writers Festival
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32<br />
LOVE LOST AND FOUND<br />
SANDRA BIRDSELL, KATE PULLINGER,<br />
JANE URQUHART, RACHEL WYATT<br />
10:30 AM<br />
REVUE STAGE<br />
$17<br />
50<br />
Kate Pull<strong>in</strong>ger’s The Mistress of Noth<strong>in</strong>g,<br />
w<strong>in</strong>ner of the Governor General’s Award <strong>in</strong> 2009,<br />
explores the subject of love complicated by<br />
duty and caste. Rachel Wyatt’s novel features<br />
a woman who writes admir<strong>in</strong>g letters to fi lm<br />
star Omar Sharif, whom she has never met and<br />
likely never will. Sandra Birdsell describes a<br />
marriage that once seemed secure, but now is<br />
fall<strong>in</strong>g apart. Multiple award-w<strong>in</strong>n<strong>in</strong>g novelist<br />
Jane Urquhart is no stranger to the subject of<br />
love <strong>in</strong> its many guises. There’s no guarantee of<br />
“happily ever after,” but it will be well worth it to<br />
hear these four master storytellers talk about the<br />
emotion that drives us all.<br />
JAPANNING<br />
KATHERINE GOVIER, DAVID MITCHELL<br />
10:30 AM<br />
PTC STUDIO<br />
$17<br />
53<br />
Great books often have their genesis <strong>in</strong> accidental<br />
moments. David Mitchell got off at the wrong<br />
tram stop <strong>in</strong> Nagasaki and stumbled upon a<br />
cluster of warehouses from an earlier century.<br />
That site proved to be central to his new novel,<br />
The Thousand Autumns of Jacob de Zoet. When<br />
her moment struck, Kather<strong>in</strong>e Govier was<br />
at the Freer Museum <strong>in</strong> Wash<strong>in</strong>gton, DC, at a<br />
discussion of 19th-century Japanese woodcut<br />
master Hokusai. The results are spectacular<br />
and rivet<strong>in</strong>g historical novels that showcase<br />
the talents of these two hugely successful and<br />
beloved authors. This is a rare chance to see<br />
Mitchell and Govier up close and personal.<br />
This event is sponsored by The <strong>Vancouver</strong> Sun.<br />
BUILDING A BRIDGE<br />
ELEANOR CATTON, PAUL HARDING,<br />
PASCALE QUIVIGER, MIGUEL SYJUCO<br />
HOST: AISLINN HUNTER<br />
10:30 AM<br />
PERFORMANCE WORKS<br />
$17<br />
51<br />
Often the formally <strong>in</strong>novative novel is not<br />
reader friendly. Walk<strong>in</strong>g the tightrope between<br />
new forms of fi ction and keep<strong>in</strong>g your reader<br />
<strong>in</strong>trigued is an acrobatic skill. Four novelists<br />
who have successfully walked that wire are<br />
together this morn<strong>in</strong>g. Paul Hard<strong>in</strong>g’s debut<br />
novel, T<strong>in</strong>kers, which won the Pulitzer Prize for<br />
Fiction <strong>in</strong> 2010, has been described as “a story<br />
told as a series of rum<strong>in</strong>ative images.” Eleanor<br />
Catton and Pascale Quiviger write <strong>in</strong> a style<br />
that is both multi-layered and surpris<strong>in</strong>g. Miguel<br />
Syjuco won the Man Asian Literary Prize <strong>in</strong><br />
2008 for his debut novel, Ilustrado. No clowns<br />
this morn<strong>in</strong>g, but a gather<strong>in</strong>g of literary acrobats<br />
that will rival the Cirque du Soleil.<br />
CRIME, NOT PUNISHMENT<br />
LINWOOD BARCLAY, GAIL BOWEN,<br />
QUINTIN JARDINE, CHEVY STEVENS<br />
2 PM<br />
REVUE STAGE<br />
$17<br />
54<br />
Because it can take readers through twists<br />
and turns of plot and secrets, crime fi ction is<br />
a welcome and <strong>in</strong>trigu<strong>in</strong>g escape for many.<br />
L<strong>in</strong>wood Barclay, Gail Bowen and Qu<strong>in</strong>t<strong>in</strong><br />
Jard<strong>in</strong>e are old hands at this genre, and sure<br />
to be familiar with audiences. Chevy Stevens<br />
has just published her fi rst crime novel, but<br />
her publisher has already bought the next<br />
two—books she has yet to write. Whether you’re<br />
captivated by the ma<strong>in</strong> detective character, the<br />
loops and bends of plot, the dist<strong>in</strong>ct sett<strong>in</strong>g or<br />
the emotional ride, it’s certa<strong>in</strong>ly no punishment<br />
to spend an afternoon with these fi ne authors of<br />
crime fi ction.<br />
LET THE RECORD SHOW<br />
DENISE CHONG, MYRNA KOSTASH,<br />
KATHY PAGE, MICHAEL WINTER<br />
10:30 AM<br />
WATERFRONT THEATRE<br />
$17<br />
52<br />
Whether an author is writ<strong>in</strong>g fi ction or non-fi ction,<br />
research will play a part <strong>in</strong> their preparation. The<br />
choice is then whether to rema<strong>in</strong> faithful to the<br />
details or to use those facts as a spr<strong>in</strong>gboard for<br />
the imag<strong>in</strong>ation. Two non-fi ction and two fi ction<br />
writers talk about their research methods and the<br />
possibilities of be<strong>in</strong>g restricted by the “truth”.<br />
In the course of research, Kathy Page explored<br />
protocols for genetic test<strong>in</strong>g, and Michael W<strong>in</strong>ter<br />
combed court transcripts of the murder trial on<br />
which he based his novel. Denise Chong verifi ed<br />
weather records to ensure accuracy <strong>in</strong> her book,<br />
while Myrna Kostash closely studied Byzantium<br />
and Greek Orthodoxy. Research can take a writer<br />
to myriad sources—but when does a writer put<br />
accuracy aside and put imag<strong>in</strong>ation to work?<br />
AMERICAN SPLENDOUR<br />
ANTHONY DOERR, PAUL HARDING,<br />
YIYUN LI, MARISA SILVER, WELLS TOWER<br />
2 PM<br />
PERFORMANCE WORKS<br />
$17<br />
Step aside, Fitzgerald and Hem<strong>in</strong>gway! Here they<br />
come. This afternoon we <strong>in</strong>troduce you to the<br />
next generation of American writers tak<strong>in</strong>g the<br />
literary world by storm. Paul Hard<strong>in</strong>g has just<br />
won the 2010 Pulitzer Prize for Fiction, Yiyun<br />
Li and Wells Tower were named as two of The<br />
New Yorker’s 20 Best American Authors Under<br />
40. Anthony Doerr was named by Granta as<br />
one of the 21 Best Young American Authors<br />
and Marisa Silver has been <strong>in</strong>cluded <strong>in</strong> The<br />
Best American Short Stories and The O. Henry<br />
Prize Stories. We are delighted to present these<br />
American voices from whom you will hear a lot<br />
more <strong>in</strong> the com<strong>in</strong>g years.<br />
This event is sponsored by<br />
Simon & Schuster Canada.<br />
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