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in a day or a week, whereas with live TV it took much longer.<br />

This resulted in less work for <strong>IATSE</strong> members who had been<br />

working not only on the production of shows but on the<br />

rehearsals as well. Worst of all, shows recorded on tape could<br />

be re-broadcast many times over, thereby providing networks<br />

with a source of program material that dispensed with the<br />

necessity of IA crafts.<br />

Additionally, the development of mobile video cameras used<br />

in the field to cover news stories sparked a heated controversy<br />

over who would represent the camera operators. Although<br />

<strong>IATSE</strong> argued that the news motion picture crews possessed the<br />

know-how and experience to cover news in the field and should<br />

therefore be awarded the jurisdiction over the so-called ENG<br />

(Electronic News Gathering) function, the networks awarded<br />

the work to IBEW or NABET.<br />

Litigation resulted, but for the most part the award of<br />

jurisdiction by the networks was upheld by the NLRB, by<br />

arbitrators, by the courts in some instances, and by the impartial<br />

umpire under Article 20 of the AFL-CIO Constitution.<br />

The end result was that the engineering unions by and large<br />

took over the function of gathering news in the field through<br />

electronic cameras using videotape. Many IA members who had<br />

done this work in the past were required to become members<br />

of IBEW or NABET to stay employed by the networks.<br />

But <strong>IATSE</strong> kept at it. And in 1964, President Walsh signed<br />

an agreement with the Association of Motion Picture Producers<br />

and the Alliance of Television Film Producers 4 that covered<br />

videotape productions.<br />

Later on, videotape had a profound impact on <strong>IATSE</strong><br />

members in other ways. Tape could be reused, and did not<br />

require as much careful lighting as film. Video cameras were<br />

perfected to the point where virtually anyone could use one. The<br />

result was that many “independent” producers began to make<br />

video films for television as well as movies.<br />

LANDMARKS OF TV NEWS<br />

In the late 1950s and early 1960s, several major events<br />

impacted society and network news programming — and the<br />

work lives of <strong>IATSE</strong> members. The U.S. visit of Soviet leader<br />

Nikita Khrushchev kept hundreds of IA camera operators,<br />

sound technicians, electricians, grips, gaffers and other technical<br />

personnel working around the clock to cover the historic occasion.<br />

The election of John F. Kennedy as President in 1960 was<br />

another major event that transformed TV. The first Kennedy-<br />

Nixon debate was at a CBS affiliate, WBWM in Chicago. Station<br />

technicians were required to meet all kinds of demands on<br />

the part of the candidates’ entourages, including painting the<br />

background on the set two times, the last time shortly before the<br />

debate was to begin. The <strong>IATSE</strong> members on the set of that first<br />

debate helped make history.<br />

The Kennedy inauguration lasted all day and into the<br />

night, just as coverage of his assassination would preoccupy<br />

tens of millions of Americans just a few years later. In the latter<br />

instance, television served the dual purpose of informing the<br />

public and helping the nation to grieve. The images gathered by<br />

<strong>IATSE</strong> technical crews were emotionally riveting. Forever after,<br />

IA members would find themselves in the midst of national<br />

and international events knowing that Canadian and American<br />

citizens were relying on them to bring news into the living<br />

room. Wars, urban riots, the conquest of space, live telecasts of<br />

congressional hearings on everything from civil unrest to the<br />

possible impeachment of a President — IA members made it<br />

possible for the people to be eyewitnesses to all of these pivotal<br />

events.<br />

4<br />

The two organizations merged in 1982 and became the Alliance of Motion Picture and Television Producers.<br />

45

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