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STRENGTHENING <strong>IATSE</strong> FROM WITHIN<br />

Throughout the 1990s and continuing past the millennium, <strong>IATSE</strong> leaders took a series of strong steps to strengthen the<br />

Alliance’s internal operations to more effectively and efficiently serve and advocate for the interests of members. Most of<br />

these changes were substantive, but one was cosmetic.<br />

Delegates to the 1998 Convention officially changed the Alliance’s<br />

name to the International Alliance of Theatrical Stage Employes,<br />

5 Moving Picture Technicians, Artists and Allied Crafts of<br />

the United States, its Territories and Canada. While keeping the<br />

same <strong>IATSE</strong> acronym, this better reflected the full range of Alliance<br />

members and their crafts.<br />

SAFETY FIRST<br />

Every <strong>IATSE</strong> member’s craft poses potential safety issues.<br />

Hazards ranging from slips, trips and falls to electrocution often<br />

loom in theaters, television studios and motion picture production<br />

sets alike. And a top priority for Alliance has always been<br />

protecting members’ safety and health.<br />

That’s why the General Executive Board established the<br />

<strong>IATSE</strong> National Safety Committee in 1997 and why, one year<br />

later, the Official Bulletin launched “The Safety Zone,” a regular<br />

feature on the subject the continues to this day.<br />

“The Safety Zone” has openly addressed some of the tragedies<br />

that have befallen members and how they could have been<br />

averted. While hindsight is always 20/20 and discussion on prevention<br />

is sometimes difficult, these articles stirred up interest<br />

around the country in starting Local Union Safety Committees.<br />

For example, when the efforts of one local union to start a Safety<br />

Certification Program for its members who work on platforms<br />

was reported, other Locals reached out to get information about<br />

they could start their own programs.<br />

On the East Coast, the Committee held joint discussions<br />

with twenty entertainment industry labor organizations, including<br />

seventeen IA local unions, Actors Equity, Musicians Local<br />

802 and the Directors Guild of America.<br />

On the West Coast, the Industry-Wide Labor-Management<br />

Safety Committee was established for members employed in the<br />

motion picture and television production industries.<br />

Together, Locals have worked hand in hand with employer<br />

representatives to produce periodic Safety Bulletins that serve<br />

as guidelines for creating safe work environments for all union<br />

members employed throughout the industry. The Committees<br />

have met once a month and are charged with the responsibility<br />

of continuously drafting new safety bulletins and revising those<br />

that need to be updated due to changes in OSHA standards or<br />

the law.<br />

Since 1998, the Industry-Wide Safety Committee has participated<br />

in the “Passport Safety Training Program.” Administered<br />

by the Greater Los Angeles Chapter of the National Safety<br />

Council, the program was created as a means of addressing<br />

OSHA requirements that employees not only be trained in the<br />

safe use of equipment and work practices, but also have their<br />

training documented. The program’s general safety instructors<br />

are all certified to teach industrial safety, and all craft-specific<br />

instructors are experienced industry professionals. Upon completion<br />

of the introductory General Safety Passport course, individuals<br />

receive a “safety passport” in which their training is<br />

recorded.<br />

5<br />

The two organizations merged in 1982 and became the Alliance of Motion Picture and Television Producers.<br />

75

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