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Boxoffice - May 2019

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

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Can you highlight some of the MPAA’s current<br />

projects? What are the organization’s biggest<br />

concerns moving forward? >> Reducing online<br />

piracy remains our constant mission. One of our<br />

strongest efforts is the Alliance for Creativity and<br />

Entertainment, or ACE. This coalition of 30 global<br />

creative companies, with the support and expertise<br />

of the MPAA content-protection team, is constantly<br />

taking action, from our victories in the TickBox<br />

and Dragon Box litigations to our many investigations<br />

and collaborations with law enforcement.<br />

As one of our country’s most successful<br />

export industries, we are focused on opening<br />

markets through trade agreements that protect<br />

intellectual property, foster competition, and<br />

lower barriers. While there are certain provisions<br />

that are not ideal for the U.S. creative industries<br />

in the United States–Mexico–Canada Agreement<br />

(USMCA), we support its overall agenda to<br />

facilitate trade and commerce and grow the U.S.<br />

film and television industry.<br />

We are also working to build on the success of<br />

the 2012 memorandum of understanding with<br />

China that opened that market to U.S. films. The<br />

Office of the U.S. Trade Representative (USTR)<br />

and the Chinese government are diligently<br />

negotiating, and our hope is that we continue<br />

to achieve fairer and greater access for American<br />

creative content.<br />

Last but not least, we are looking forward to<br />

reopening our beloved home and headquarters<br />

in downtown Washington, across Lafayette Park<br />

from the White House, after an extensive renovation.<br />

We’ll have a brand-new facility, including an<br />

expanded, state-of-the-art theater, where stories can<br />

be enjoyed.<br />

It’s an exciting time at the MPAA.<br />

AT THE MOVIES WITH<br />

CHARLES RIVKIN<br />

MOVIE MEMORY<br />

In high school in Chicago, I was a repeat visitor to midnight showings<br />

of The Rocky Horror Picture Show. It was the immersive experience only<br />

possible in a theater. That’s something I will never forget.<br />

Do you have a go-to snack at the concession stand? >> Popcorn is<br />

always my go-to. And I drink Diet Coke with that. And like so many great<br />

movie quests, I am always on the lookout for a box of Jujubes. If I cannot<br />

find those, Starburst will do.<br />

How do you anticipate the effects of consolidation<br />

in the industry will influence the MPAA in<br />

the near future? >> Change is a constant, particularly<br />

in our industry, and that is a good thing. We<br />

have many new players in the business of content<br />

creation and distribution, which shows that this industry<br />

remains an attractive investment. There will<br />

always be creative and enterprising people seeking<br />

to grow and adapt businesses, and we have to be<br />

prepared. At the MPAA, we see this as an opportunity.<br />

Our role at a policy level and operationally<br />

through our content protection efforts is more<br />

important than ever.<br />

MAY <strong>2019</strong><br />

125

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