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28 STYLE | report<br />

A Wrinkle in Time.<br />

“Build it and they will come.” He says an amazing studio<br />

based in Queenstown would guarantee a 12-month-a-year,<br />

vibrant industry driving the Queenstown economy. “Oh,<br />

alongside the three million bed nights a year!”<br />

Preston agrees with the need for a studio. She says the<br />

obvious positives about the South Island “are the place itself –<br />

breathtaking”. But the negatives are infrastructure “anywhere<br />

other than Queenstown”. She says the South Island certainly<br />

needs a studio, but it should be in Christchurch. “Because that<br />

is the international gateway to the South. At the moment, the<br />

internationals fly in and out to Queenstown.”<br />

There have been many international shows shot in Central<br />

Otago. Wanted for 7 was filmed there recently, and they’ve<br />

just announced The Lord of the Rings TV series will be shot in<br />

New Zealand. It is mostly Auckland, but Smith is anticipating<br />

possibly some second unit content coming south. Straight<br />

Forward – a Nordic co-production with Screentime, was<br />

also shot in Central. A Wrinkle in Time was filmed there with<br />

Oprah Winfrey and Reese Witherspoon; Mission: Impossible<br />

– Fallout was filmed with Tom Cruise; and Disney shot Mulan<br />

in the South Island last year. “But TV series that could run for<br />

multiple seasons are rare – so One Lane Bridge is quite unique.<br />

Our goal is a second and third season.”<br />

Smith says producers choose parts of the South Island<br />

over other parts of the world because of the vast landscape.<br />

“Internationally, people love coming here. Reece Witherspoon<br />

and Oprah slayed it on social media – they were staggered<br />

by the beauty of Wanaka. I mean, have you ever had a wine<br />

at Rippon? It’s the best looking vineyard in the world.” But he<br />

says it’s also the crews and expertise. Peter Jackson opened<br />

it up by shooting The Lord of the Rings here. This not only<br />

boosted New Zealand’s profile but also gave hundreds of<br />

Kiwis the credits on their CVs to able to work on other major<br />

projects, without question. “So scenery and skill – but we do<br />

need a bump in facilities – the missing ‘S’ – studio.”<br />

The economy and country as a whole benefit from both<br />

local and international content being filmed here because it<br />

stimulates work in the region. “I have just left our offices and<br />

I was surprised by how many locals we have employed.”<br />

The crews then spend big capital in the district. “We<br />

are running over 100 people for five months – houses,<br />

restaurants, locations, vehicles, food.” Smith says any drama<br />

production is spending millions locally, in fact many are<br />

spending hundreds of thousands of dollars per day. “So I<br />

say it is all good. The only limitation going forward will be<br />

a shortage of skilled locals.”<br />

Smith says it would be great if there was more packaging<br />

of regional incentives backed locally. “Drama projects need<br />

multiple streams of funding to get green-lit.” A good example<br />

of this is the Invercargill Licensing Trust backing the film The<br />

World’s Fastest Indian, directed by Kiwi Roger Donaldson and<br />

starring megastar Anthony Hopkins. It was shot largely in<br />

Invercargill and employed many locals both on and off screen.<br />

On release in 2005, the film quickly became the highestgrossing<br />

local film ever at the New Zealand box office, taking<br />

in over $7 million.<br />

Gaylene Preston says other drivers to get more filmmakers<br />

to the South Island would be deals with Kiwi Rail that moved<br />

gear and people at a reduced cost, and also location subsidies<br />

for local films, “such as exist on the Isle of Man etc.”

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