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Eatdrink #80 November/December 2019 - The Holiday Issue

The LOCAL food and drink magazine serving London, Stratford & Southwestern Ontario since 2007

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eatdrink: <strong>The</strong> Local Food & Drink Magazine<br />

<strong>November</strong>/<strong>December</strong> <strong>2019</strong> | 57<br />

FRESH gift ideas yule love<br />

Select from over 70 flavours of oils and balsamics.<br />

Sample the freshest oils from across the globe, paired with savoury<br />

white & dark balsamic vinegars from Modena, Italy.<br />

Personally bottled to suit your individual taste.<br />

Stocking<br />

Stuffers<br />

Corporate<br />

Gifts<br />

Sample<br />

Packs<br />

Custom<br />

Gift Baskets<br />

Gift<br />

Cards<br />

<strong>The</strong><br />

Pristine<br />

live<br />

Est. 2012<br />

884 Adelaide Street N.<br />

884 Adelaide Street N. | London | 519-433-4444<br />

www.thepristineolive.ca<br />

manage HR issues that were not her forte.<br />

Readers of the book will not be surprised<br />

by the story’s unfortunate conclusion, so<br />

Reichl presumably focuses on her colleagues<br />

(whether she liked working with them or<br />

not) to pay homage to their handiwork<br />

in regenerating an iconic magazine for a<br />

time. Even though she was dealing with the<br />

business of magazine editing more than<br />

tasting dishes or writing about them, there<br />

are still the requisite delicious descriptions<br />

she is known for from her previous books:<br />

taste testing a chocolate cake in the Gourmet<br />

test kitchen; sharing the Spicy Chinese Noodle<br />

recipe she makes for her son; describing bread<br />

from a neighbourhood bakery by writing it<br />

was “like tasting history, like savoring the<br />

first loaf of bread ever baked.” It is a Reichl<br />

memoir, after all, and she always comes back<br />

to the food.<br />

I enjoy memoirs that are narrower in<br />

scope, not sprawling narratives from cradle<br />

to grave. Reichl’s career as a writer has many<br />

layers and Save Me the Plums covers a decade<br />

of her life when Gourmet became one more<br />

notch in her literary belt. Her contributions to<br />

Gourmet were transformational: she embraced<br />

the changes surfacing in the restaurant<br />

scene, tackled the rise of celebrity chefs by<br />

putting them on the cover in rock star poses<br />

(photographed by Matthew Rolston who did<br />

Rolling Stone covers), and commissioned<br />

cutting-edge articles from authors like David<br />

Foster Wallace. Amid these successes, what<br />

is most heartbreaking about her story is how<br />

Condé Nast shut Gourmet down when the high<br />

times of the print magazine world crumbled<br />

under the pressure of the internet. Reichl<br />

had to live through it and she reveals how the<br />

extraction of something that had touched her<br />

personal life and shaped her career so much<br />

was devastating. For Reichl, “A world without<br />

Gourmet was unimaginable.” She could not<br />

move forward by publishing more issues,<br />

but only be inspired by her collection of back<br />

issues, in the same way they had stirred her as<br />

a child.<br />

DARIN COOK is a Chatham-based freelance writer<br />

who keeps himself well-read and well-fed by visiting the<br />

bookstores and restaurants of London.

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