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in Paris and Lille with a painting named The<br />
Game of “Main Chau<strong>de</strong>”, which was most<br />
certainly the present work.<br />
The few rare known works by Dunant all have<br />
the same combination of naivety and freshness<br />
that the present painting: these are small<br />
charming unpretentious scenes, whose very<br />
charm partly resi<strong>de</strong>s in their limits. Although the<br />
composition is reminiscent of the engraving Roi<br />
citoyen avec toute sa famille à Neuilly (Citizen<br />
King with his family in Neuilly), the children<br />
<strong>de</strong>picted here cannot be Louis-Phillipe’s. On<br />
the one hand, the number and or<strong>de</strong>r of the<br />
children do not exactly correspond to those<br />
of the duke d’Orléans family. On the other<br />
hand, the painting was executed in the early<br />
1820s, when the children of the duke should<br />
have been ten years younger, whereas here<br />
they are represented at the age they would<br />
have reached in the 1830s. The traditional<br />
i<strong>de</strong>ntification may have been based on the fact<br />
that the work was purchased by the Société<br />
<strong>de</strong>s Amis <strong>de</strong>s Arts and won by the duke of<br />
Orléans in Lille in 1822. Thus, such prestigious<br />
provenance, as well as the similarity with the<br />
print, may have led to the confusion.<br />
In any case, the present painting is very<br />
evocative of a simple and familial way of<br />
living typical of the first third of the 19 th century:<br />
it combines an aristocratic ease with a more<br />
bourgeois attitu<strong>de</strong> of <strong>de</strong>dication to the family<br />
and of the importance of its bonds.