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36<br />
Ecole Française<br />
Fin XVIII e siècle – <strong>de</strong>́but XIX e siècle<br />
Les Erynies<br />
Erinyes<br />
Plume et encre brune, lavis d’encre <strong>de</strong> chine sur traces <strong>de</strong> pierre noire.<br />
Inscrit Allégorie <strong>de</strong> la campagne <strong>de</strong> 1812 au verso.<br />
Pen and brown ink, grey wash over traces of black chalk.<br />
Inscribed Allégorie <strong>de</strong> la campagne <strong>de</strong> 1812 on the verso.<br />
195 x 183 mm (7 5 /8 x 7 1 /4 in.)<br />
L’atmosphère <strong>de</strong> cet étonnant <strong>de</strong>ssin est proche <strong>de</strong> celle <strong>de</strong>s œuvres du sculpteur<br />
Sergel, sans pourtant que l’on puisse le lui attribuer. On peut encore le rapprocher<br />
<strong>de</strong>s œuvres <strong>de</strong> Louis Masreliez, comme lui élève <strong>de</strong> Pierre-Hubert Larchevêque à<br />
Stockholm. On peut aussi penser à certains artistes néoclassiques français comme<br />
Fabre, à Rome <strong>de</strong> 1787 à 1824.<br />
The atmosphere of this surprising drawing is reminiscent of the works of the sculptor<br />
Sergel, although it cannot be attributed to him. It can also be connected to the<br />
works of Louis Masreliez, who, like Sergel, studied with Pierre-Hubert Larchevêque<br />
in Stockholm. The sheet also calls to mind several French neoclassical artists, such as<br />
Fabre, in Rome from 1787 to 1824.<br />
€ 3 800<br />
92<br />
<strong>Catalogue</strong> <strong>de</strong> Noël
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