katalog
katalog
katalog
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
СпИСАК ИзЛОЖеНИХ РАДОвА<br />
List Of ExhiBitEd wORKs<br />
174<br />
аНа адамовић<br />
Canzona, 2010<br />
single-channel video installation<br />
3 minutes 17 seconds<br />
courtesy ana adamović<br />
Madeleine, 2004<br />
single-channel video installation<br />
3 minutes 42 seconds<br />
courtesy ana adamović<br />
maja bajEvić<br />
Women at Work–The Observers, 2001<br />
Performance / video<br />
8 minutes 20 seconds<br />
courtesy maja bajević and galerie michel rein,<br />
Paris<br />
rOsa barba<br />
The Long Road, 2010<br />
35mm, optical sound<br />
6 minutes 10 seconds<br />
courtesy rosa barba, carlier | gebauer, berlin,<br />
and giò marconi, milan<br />
Let me see it, 2009<br />
16mm film, optical sound<br />
4 minutes 10 seconds<br />
courtesy rosa barba, carlier | gebauer, berlin,<br />
and giò marconi, milan<br />
jONas dahlbErg<br />
Three Rooms, 2008<br />
3 channel video installation on 46 inch monitors<br />
26 minutes 58 seconds<br />
courtesy jonas dahlberg and galerie<br />
Nordenhake stockholm/berlin, Pkm gallery<br />
seoul/beijing, and magazzino d’arte moderna,<br />
rome<br />
dUšica dražić<br />
The Winter Garden, 2010<br />
Site specific installation, dimension variable<br />
Photo: dušica dražić<br />
courtesy dušica dražić<br />
Tim ETchElls<br />
Nightlanguage, 2010<br />
Text installation<br />
courtesy Tim Etchells<br />
Wait Here, 2008<br />
Neon sign<br />
courtesy Tim Etchells<br />
Let’s Pretend, 2008<br />
Neon sign<br />
courtesy Tim Etchells<br />
Please Come Back, 2008<br />
Neon sign<br />
courtesy Tim Etchells<br />
Fading Glory, 2010.<br />
Neon sign<br />
courtesy Tim Etchells<br />
Live Forever, 2010.<br />
Neon sign<br />
courtesy Tim Etchells<br />
harUN farOcki<br />
Respite, 2007<br />
video, black and white, silent with<br />
English intertitles<br />
40 minutes<br />
a collaboration with antje Ehmann, christiane<br />
hitzemann, lars Pienkoß, matthias rajmann,<br />
jan ralske, meggie schneider<br />
courtesy harun farocki filmproduktion<br />
OmEr fasT<br />
De Grote Boodschap (The Big Message), 2007<br />
single channel<br />
27 minutes<br />
Production still: Erik de cnodder<br />
courtesy Omer fast<br />
carl michaEl vON haUsswOlf aNd<br />
ThOmas NOrdaNsTad<br />
Hashima, Japan 2002<br />
dvd, video projection, stereo, sound<br />
30 minutes, loop<br />
Photo credit: carl michael von hausswolff<br />
and Thomas Nordanstad<br />
courtesy gallery Niklas belenius,<br />
stockholm / galeria Enrico fornello, milan,<br />
and the artists<br />
TErEsa hUbbard / alExaNdEr birchlEr<br />
House with Pool, 2004<br />
high definition video with sound<br />
Projection 16:9 NTsc 2 ch stereo<br />
installation dimensions variable<br />
20 minutes 39 seconds, loop<br />
courtesy Tanya bonakdar gallery, New york,<br />
galerie barbara Thumm, berlin, galerie bob<br />
van Orsouw, zurich<br />
amar kaNwar<br />
The Lightning Testimonies, 2007<br />
8 channel video installation<br />
synchronized, colour and b&w, sound,<br />
English text<br />
32 minutes and 31 seconds, loop<br />
© Photo: amar kanwar<br />
courtesy amar kanwar and galerie marian<br />
goodman, Paris / New york<br />
william kENTridgE<br />
What Will Come (has already come), 2007<br />
35mm film transferred to video, projection onto<br />
table top with polished steel cylinder<br />
8 minutes 40 seconds<br />
Photo: john hodgkiss<br />
courtesy william kentrige; marian goodman<br />
gallery, New york; the goodman gallery,<br />
johannesburg<br />
Eva kOch<br />
NoMad, 1998<br />
video installation<br />
11 minutes<br />
camera: dave borthwick<br />
Edit: Niels grønlykke<br />
sound editing: Peter sørensen<br />
courtesy Eva koch and martin asbæk gallery,<br />
copenhagen<br />
Approach, 2005<br />
video installation<br />
3 minutes 20 seconds<br />
courtesy Eva koch and martin asbæk gallery,<br />
copenhagen<br />
Production credits for Approach:<br />
idea: Torben christensen & Eva koch<br />
Text: dante alighieri, The divine comedy<br />
(Paradise, the first 14 verses)<br />
Translated by: mandelbaum Tr.<br />
voice: Torben christensen<br />
chorus sign language: raziye acili, riinette<br />
askgaard, joan bentsen, alida faustrup,<br />
Torsten guhle, Nathalie hein, ragna huse,<br />
anne skov hårdell, bo hårdell, lise lotte kjær,<br />
gertrud magnusson, alda Padeiro, jørgen<br />
sandholt, charlotte Tøfting, janne wolfeld<br />
consultant: Nicky stiddard lewis, Elisabeth<br />
Engberg-Pedersen, copenhagen University,<br />
department of Nordic studies and linguistics<br />
sign language translation: bo hårdell, janne<br />
boye Niemelä<br />
interpreter during translation: jane sørsø<br />
interpreter during filming: vibeke mikaelsen<br />
location: flemming steen munch,<br />
copenhagen Police<br />
Production manager: Tine gershøj knudsen<br />
Photographer: sebastian winterø<br />
assistant photographer: Niels a. hansen<br />
gaffer: viggo grumme<br />
lighting, technician: daniel seidelin<br />
grip: mikkel Toft.<br />
sound recording & editing: Emmerik warburg<br />
make-up: marianne Ortmann<br />
runner: lasse baunkilde<br />
Editing: anja farsig<br />
color grading: Niels Plenge<br />
dvd mastering: henrik lago<br />
Erik krikOrTz<br />
Emotional Cities, 2010<br />
Net art, light installation<br />
Albanija Palace, belgrade<br />
courtesy Erik krikortz<br />
david maljkOvić<br />
These Days, 2005<br />
single channel video and sound installation<br />
5 minutes 33 seconds<br />
courtesy annet gelink gallery, amsterdam,<br />
metro Pictures, New york, georg kargl fine<br />
arts, vienna, and sprüth magers,<br />
berlin/london<br />
Lost Memories from These Days, 2006<br />
collage on paper<br />
(22,5 x 30 cm) x 12<br />
courtesy annet gelink gallery, amsterdam<br />
aErNOUT mik<br />
Scapegoats, 2006<br />
video installation, digital video on hard drive,<br />
freestanding screen<br />
39 minutes<br />
Produced by bak, basis voor actuele kunst<br />
and the artist<br />
courtesy carlier | gebauer, berlin<br />
Production credits for Scapegoats:<br />
Production: dirk Tolman, jelier & schaaf<br />
camera: benito strangio<br />
steady-cam: jo vermaercke<br />
co-direction: marjoleine boonstra<br />
art-direction: Elsje de bruijn<br />
casting: hans kemna & kemna casting<br />
costumes: sylvia huijerman<br />
camera equipment: camalot<br />
Production manager: wikke van der burg<br />
make-up: Niels wahlers<br />
weapon handlers and fight instructors:<br />
rik en harry wiessenhaan<br />
special Effects: rob’s Prop shop<br />
grip: Enterprise<br />
Photography on set: florian braun<br />
audio visual installation: beamsystems<br />
Post production; loods lux & lumen and<br />
beamsystems<br />
courtesy aernout mik, carlier | gebauer, berlin<br />
sTEvE mcQUEEN<br />
Once Upon a Time, 2002<br />
sequence of 116 slides base color images<br />
streamed through a Pc hard drive and rear<br />
projected onto a screen with an integral<br />
soundtrack<br />
70 minutes<br />
courtesy marian goodman gallery, New york /<br />
Paris, and Thomas dane gallery, london<br />
zOraN NaskOvski<br />
Death in Dallas, 2000–2010<br />
video installation, 2001, black and white, color,<br />
sound<br />
17 minutes<br />
documents/artifacts, 2000–2010<br />
Photo: vladimir Popović<br />
courtesy zoran Naskovski<br />
175
Change language