Opus IX: Abode of Chaos / Demeure du Chaos 1999-2013
Is it to be considered a book? Or is it a magic object, each page of which being an original narrative of the Abode of Chaos rendered in a ground-breaking dreamlike vision. thierry Ehrmann: we put all our passion and folly into preparing this French-English Collector, the book of the decade: 504 pages / 4.5 kg / Square format – Edition bound – 11.8 in. x 11.8 in. and 1.97 inch-thick – includes the Opus IX from 1999 to 2013. A Note to Our Readers All the photographs, video stills, illustrations, handwritings, sketches, 3D modelling images, plans, maps and drawings are all part of the artworks and/or performances produced "in situ" at the Abode of Chaos. The images of artworks included in this book do not cover the Above of Chaos in its entirety but only a small part of it.
Is it to be considered a book? Or is it a magic object, each page of which being an original narrative of the Abode of Chaos rendered in a ground-breaking dreamlike vision. thierry Ehrmann: we put all our passion and folly into preparing this French-English Collector, the book of the decade: 504 pages / 4.5 kg / Square format – Edition bound – 11.8 in. x 11.8 in. and 1.97 inch-thick – includes the Opus IX from 1999 to 2013.
A Note to Our Readers
All the photographs, video stills, illustrations, handwritings, sketches, 3D modelling images, plans, maps and drawings are all part of the artworks and/or performances produced "in situ" at the Abode of Chaos.
The images of artworks included in this book do not cover the Above of Chaos in its entirety but only a small part of it.
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l’art dans l’hyper modernité en le<br />
dématérialisant”.<br />
Quand nos visiteurs économiques<br />
repartent ébranlés par cette vision<br />
<strong>du</strong>ale de nos groupes dans La <strong>Demeure</strong><br />
<strong>du</strong> <strong>Chaos</strong>, je ne peux m’empêcher<br />
de leur dire: vous n’avez<br />
encore rien vu ! Ce que nous allons<br />
vivre dans les toutes prochaines<br />
années dépassera de très<br />
loin tous les écrits d’anticipation et<br />
de science fiction…<br />
Pour comprendre la <strong>du</strong>alité de ma<br />
démarche de plasticien et de bâtisseur<br />
<strong>du</strong> savoir, je reprendrai la<br />
citation de mon vieux maître Pythagore<br />
le premier des philosophes<br />
pour lequel tout est nombre, à l’exception<br />
des essences que sont les<br />
émotions humaines non quantifiables,<br />
indicibles et se jouant des<br />
nombres.<br />
entire art market into hypermodernity<br />
by dematerialising it.”<br />
When our economic visitors leave<br />
the <strong>Abode</strong> <strong>of</strong> <strong>Chaos</strong> somewhat<br />
shaken by this <strong>du</strong>al vision <strong>of</strong> our<br />
activities, I can’t resist telling<br />
them: “you ain’t seen nothing yet!”<br />
What we will experience over<br />
the next few years will far exceed<br />
many <strong>of</strong> the existing anticipatory<br />
or science fiction writings on the<br />
matter.<br />
488 489<br />
To better summarize my <strong>du</strong>al reasoning<br />
as an artist and knowledge<br />
builder, I would quote my old master<br />
Pythagoras, the first philosopher<br />
for whom everything was<br />
numbers except for the essences<br />
which are human emotions that<br />
are unquantifiable, inexpressible<br />
and number defying…<br />
Page 474<br />
Thierry Ehrmann's <strong>of</strong>fice<br />
Page 476<br />
IT Department<br />
Page 477<br />
Artist Biography Department<br />
Page 478<br />
Nadège Ehrmann's <strong>of</strong>fice<br />
Page 479<br />
Editorial Department<br />
Page 480<br />
Marketing Department<br />
Page 482<br />
Meeting rooms<br />
Pages 484 à 486<br />
Une des salles-serveurs souterraines<br />
sous l’héliport au cœur de la<br />
<strong>Demeure</strong> <strong>du</strong> <strong>Chaos</strong><br />
One <strong>of</strong> the underground data<br />
centers under the helipad<br />
<strong>of</strong> the <strong>Abode</strong> <strong>of</strong> <strong>Chaos</strong>.<br />
Page 487<br />
Marketplace Department<br />
Page 488<br />
Archives d'Artprice à La <strong>Demeure</strong><br />
<strong>du</strong> <strong>Chaos</strong>, des centaines de milliers<br />
de manuscrits, de livres d’art et<br />
de catalogues, de 1700 à nos jours,<br />
couvrant 108 millions d’œuvres d’art.<br />
Artprice archives at the <strong>Abode</strong><br />
<strong>of</strong> <strong>Chaos</strong> that host hundreds<br />
<strong>of</strong> thousands <strong>of</strong> manuscripts,<br />
artbooks and art catalogues,<br />
from 1700 until today, covering<br />
108 millions artworks.<br />
Algorithme
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