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Screen Memory - Department of English

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playmates <strong>of</strong> the childhood memory-scene. There was no love on<br />

this occasion: he was at the University, “a slave to my books. I<br />

had nothing left over for my cousin.” He believed, however, that<br />

his father and uncle had made a plan for him to marry the girl<br />

(3.314).<br />

The childhood memory emerged on the second occasion,<br />

attached to two experiences: desire for Gisela and shame over the<br />

financial crisis that had originally caused his father to<br />

relocate the family. Freud tells his alter ego that he “projected<br />

the two phantasies on to one another and made a childhood memory<br />

<strong>of</strong> them. The element about the alpine flowers is as it were a<br />

stamp giving the date <strong>of</strong> manufacture. I can assure you that<br />

people <strong>of</strong>ten construct such things unconsciously––almost like<br />

works <strong>of</strong> fiction” (3.315). Freud’s later experience <strong>of</strong> certain<br />

yellow flowers in the Alps had helped to trigger this childhood<br />

recollection <strong>of</strong> the meadow scene with its dandelions when he was<br />

aged three and still in Freiburg. 5<br />

Do screen memories connect us to our childhood in any way?<br />

Freud hesitates among various answers. At times he is positive<br />

that there is a connection: "Not only some but all <strong>of</strong> what is<br />

essential from childhood has been retained in these memories . .<br />

. . They represent the forgotten years <strong>of</strong> childhood” (12.148). In<br />

the essay, Freud <strong>of</strong>fered a compromise position:<br />

You have accepted my assertion that every suppressed<br />

10

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