Screen Memory - Department of English
Screen Memory - Department of English
Screen Memory - Department of English
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equation.<br />
There are few satisfactory models <strong>of</strong> how collective memory<br />
is constructed, how it is received, and what factors govern its<br />
endurance. Unlike its near synonyms, myth and tradition,<br />
collective memory is an active stratum <strong>of</strong> mentality, constantly<br />
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in the process <strong>of</strong> reformulation. Like personal memory,<br />
collective memory is determined by present needs and desires and,<br />
in their service, distorts or invents the past. As examples,<br />
David Thelen relates that in the relatively prosperous 1970s<br />
Americans recalled the 1930s not as a time <strong>of</strong> misery and struggle<br />
but as a time when people had been closer to each other, warmer<br />
and more caring, and John Foster and Wayne Froman cite the very<br />
late appearance <strong>of</strong> the Amistad mutiny <strong>of</strong> 1839-42 as a central<br />
part <strong>of</strong> the cultural memory <strong>of</strong> Sierra Leone (Thelen 1124 and<br />
Foster 90).<br />
Because collective memory is not memory it must circulate in<br />
the public realm in material form before it can lodge itself in<br />
our minds: in documents, memorials, commemorations, rituals,<br />
slogans or songs; “rules, laws, standardized procedures, and<br />
records . . . . books, holidays, statues, souvenirs” (Schudson<br />
1992:51). George Washington remains an important part <strong>of</strong> the<br />
American collective consciousness, for example, because he is<br />
commemorated through the celebration <strong>of</strong> his birth, the Washington<br />
Monument and his pr<strong>of</strong>ile on quarters and dollar bills (Johnson<br />
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