Screen Memory - Department of English
Screen Memory - Department of English
Screen Memory - Department of English
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Collective amnesia<br />
Amnesia was also pluralized in the twentieth century, when<br />
it came to be regarded as a social disease. Modernity and<br />
postmodernity are said to carry heavy charges <strong>of</strong> it, so much so<br />
that we are frequently told that we have now lost our sense <strong>of</strong><br />
the past. John Frow describes postmodernity as “the time <strong>of</strong> a<br />
fall from . . . history into amnesia” (218). But Marx and his<br />
followers had already written amnesia into the psychology <strong>of</strong><br />
capitalism: “Ideology and amnesia have long been linked,”<br />
Nicholas Dames writes, “from Lukács’s analyses <strong>of</strong> the structural<br />
forgetting embedded in reification to Althusser’s well-known<br />
argument that ideology ‘has no history’” (2001:17). “All<br />
reification is a forgetting,” Adorno and Horkheimer had declared,<br />
and Herbert Marcuse announced (after Adorno) that “the spectre <strong>of</strong><br />
man without memory . . . is more than an aspect <strong>of</strong> decline–-it is<br />
necessarily linked with the principle <strong>of</strong> progress in bourgeois<br />
society” (Jay 229 and 234).<br />
Earlier, the historical novel <strong>of</strong> Scott and Hugo was <strong>of</strong>ten<br />
occasioned by an inability (in Waverley and Nôtre-Dame de Paris)<br />
to find any signs <strong>of</strong> the past in the present as a result <strong>of</strong><br />
radical social change. The absence <strong>of</strong> memorial signs produces the<br />
amnesia that Eliot described in Silas Marner: “Minds that have<br />
been unhinged from their old faith and love have perhaps sought<br />
this Lethean influence <strong>of</strong> exile in which the past becomes dreamy<br />
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