Screen Memory - Department of English
Screen Memory - Department of English
Screen Memory - Department of English
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No one calls in question the fact that the experiences<br />
<strong>of</strong> the earliest years <strong>of</strong> our childhood leave<br />
ineradicable traces in the depths <strong>of</strong> our minds. If,<br />
however, we seek in our memories to ascertain what were<br />
the impressions that were destined to influence us to<br />
the ends <strong>of</strong> our lives, the outcome is either nothing at<br />
all or a relatively small number <strong>of</strong> isolated<br />
recollections which are <strong>of</strong>ten <strong>of</strong> dubious or enigmatic<br />
importance (3.303). 2<br />
By way <strong>of</strong> contrast, Vico had claimed that children have<br />
exceptionally strong memories, and Ribot felt that “The earliest<br />
memories are the most secure and solid <strong>of</strong> all” (Roth 1989:56).<br />
Diderot had simply declared that “The time <strong>of</strong> childhood is the<br />
time <strong>of</strong> memory” (Poulet 198). And certainly no childhood amnesia<br />
operates in Proust when he is blessed with the receipt <strong>of</strong> his<br />
entire childhood in Combray.<br />
Like most entities in Freud’s mental universe, screen<br />
memories both conceal and express past meaning. They are a double<br />
formation: “Two psychical forces are concerned in bringing about<br />
memories <strong>of</strong> this sort. One <strong>of</strong> these forces takes the importance<br />
<strong>of</strong> the experience as a motive for seeking to remember it, while<br />
the other--a resistance--tries to prevent any such preference<br />
from being shown” (3.306-7).<br />
In addition to pleasure and triviality, screen memories are<br />
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