A Current Bibliography on African Affairs - Baywood Publishing
A Current Bibliography on African Affairs - Baywood Publishing
A Current Bibliography on African Affairs - Baywood Publishing
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350 / A CURRENT BIBLIOGRAPHY ON AFRICAN AFFAIRS<br />
1143. Osaaji, M. G. SUBVERSION OF PATRIARCHAL IDEOLOGY: A CASE<br />
STUDY OF MAGDALENE, A WOMAN ORAL NARRATIVE PERFORMER FROM<br />
THE SAMBURU OF KENYA. Research in <strong>African</strong> Literatures. 2009, 40(1):19-26.<br />
This paper is based <strong>on</strong> narrative performances collected in research by students of the<br />
University of Nairobi under the guidance of their lecturers. The fieldwork was c<strong>on</strong>ducted in<br />
February 2005 am<strong>on</strong>g nomadic communities in northern Kenya. The main thrust of the<br />
paper is to explore how Magdalene, a woman narrator, subverts the dominant masculine<br />
ideology inherent in the structure and orientati<strong>on</strong> of oral narratives. The paper identifies the<br />
discrete and subtle ways in which the narrator seeks to undermine the manifest inclinati<strong>on</strong><br />
of oral narratives towards male dominance.<br />
1144. Potgieter, F. THEORISING SAMENESS AND DIFFERENCE IN SOUTH<br />
AFRICAN TELEVISION ADVERTISEMENTS. de arte. 2008, 78:18-32.<br />
An overview of current televisi<strong>on</strong> advertisements suggests that the pre- and post-1994<br />
endeavour to engage directly and explicitly with the differences that c<strong>on</strong>stitute this rainbow<br />
nati<strong>on</strong> seem to be declining. I find this unfortunate as we are, after all, still a divided nati<strong>on</strong><br />
where pretending otherwise does not solve problems. Furthermore, advertisements that<br />
engage with differences are, as argued, often artistically creative and exciting, whereas<br />
those that are predicated <strong>on</strong> human sameness tend to be tired and predictable. This article<br />
also argues that advertisements that exploit human sameness are generally speaking more<br />
morally dubious than those that engage with human differences.<br />
1145. Stoeltje, B. J. ASANTE TRADITIONS AND FEMALE SELF-ASSERTION:<br />
SISTER ABENA’S NARRATIVE. Research in <strong>African</strong> Literatures. 2009, 40(1):27-41.<br />
Exploring the relati<strong>on</strong>ship between narrative and c<strong>on</strong>flict, this study takes as its subject<br />
the narrative of <strong>on</strong>e individual woman in Kumasi, Ghana. In her account, she narrates the<br />
situati<strong>on</strong> in which her former boyfriend places a curse <strong>on</strong> her, and the process she followed<br />
in order to revoke the curse. Utilizing Mikhail Bakhtin’s c<strong>on</strong>cept of a dialogic process and<br />
recent work <strong>on</strong> the representati<strong>on</strong> of c<strong>on</strong>flict in narrative, the paper examines the<br />
significance of narrative in shaping social life. Specifically, it identifies the link between<br />
the performance of oral traditi<strong>on</strong>s, narrative in particular, and traditi<strong>on</strong>al instituti<strong>on</strong>s. It also<br />
reveals the process by which <strong>on</strong>e genre links to another, moving the process forward, and it<br />
explores how experience is communicated and c<strong>on</strong>flict interpreted and resolved through<br />
the performance of narrative.<br />
1146. Tadjo, V. PUBLISHING CHILDREN’S BOOKS IN FRANCOPHONE WEST<br />
AFRICA. Mousai<strong>on</strong> Special Issue. 2008, 192-204.<br />
This article focuses <strong>on</strong> the producti<strong>on</strong> of children’s books in francoph<strong>on</strong>e West Africa. It<br />
starts by defining the meaning of “francoph<strong>on</strong>e” and, by extensi<strong>on</strong>, of “francoph<strong>on</strong>ie.” It<br />
also addresses the language issue in relati<strong>on</strong> to French in Africa. It questi<strong>on</strong>s the<br />
commercial viability of the publishing industry in francoph<strong>on</strong>e Africa, as the main French<br />
companies remain str<strong>on</strong>gly entrenched in local markets, through their branches and their<br />
c<strong>on</strong>trol of the lucrative textbook industry. There is no reciprocity, as books published <strong>on</strong> the<br />
<strong>African</strong> c<strong>on</strong>tinent can seldom be found abroad. However, books for children seem to have<br />
found a niche.