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' our NEAR XI Charlotte Cushman the time when Mr. Mathews made his last visit to our country Miss Charlotte Cushman was ap- proaching the close of her great profes- sional career, which had been broken by many withdrawals and returns, and marked by more misuses of the word " final " than were ever in the history of the world charged against any other artist. I saw her in her assumptions of Meg Merrilies, Lady Macbeth, and Queen Katharine, and in some of her less impor- tant characters. I thought her then, and still think her, the only actress native to soil to whom the adjective " great can be fitly applied. As I remember her, she was a woman of middle age, gaunt of [ 82 ] "
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UNIVERSITY OF CA RIVERSIDE, LIBRARY
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Bit
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COPYRIGHT, 1902, BY HENRY AUSTIN CL
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NOTE The reader is informed of what
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CONTENTS XVII. ADELAIDE NEILSON 1 5
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REMINISCENCES OF A DRAMATIC CRITIC
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INTRODUCTION and fascinating folk,
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INTRODUCTION My equipment for my ta
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II Spectacle, Farce, Melodrama, and
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THE STAGE FIFTY YEARS AGO But what
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THE STAGE FIFTY YEARS AGO men had c
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THE STAGE FIFTY YEARS AGO with two
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THE STAGE FIFTY YEARS AGO of the tr
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THE STAGE FIFTY YEARS AGO a man of
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THE STAGE FIFTY YEARS AGO bill of f
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Ill The Worth and Impotence of Free
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IMPOTENCE OF FREE CRITICISM hinting
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IMPOTENCE OF FREE CRITICISM applaud
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I IV Some Early Experiences and Mis
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EXPERIENCES AND MISTAKES quent appl
Page 49 and 50: EXPERIENCES AND MISTAKES outspoken
Page 51 and 52: V Selwyn's Theatre and the Robert-
Page 53 and 54: SELWYN'S THEATRE Sargent Curtis ; a
Page 55 and 56: SELWYN'S THEATRE Colorado and the t
Page 57 and 58: SELWYN'S THEATRE that of the life o
Page 59 and 60: VI The Ephemeral Drama and the Endu
Page 61 and 62: THE EPHEMERAL DRAMA culiar to their
Page 63 and 64: THE EPHEMERAL DRAMA have no essenti
Page 65 and 66: VII The Great Dramatic QyiNQiJENNiU
Page 67 and 68: DRAMATIC Q_UINQ.UENNIUM ton : first
Page 69 and 70: DRAMATIC CtUINQ^UENNIUM — by clos
Page 71 and 72: VIII William Warren, Comedian BOSTO
Page 73 and 74: WILLIAM WARREN presented in the dra
Page 75 and 76: WILLIAM WARREN Apropos of the large
Page 77 and 78: WILLIAM WARREN must submit to a rec
Page 79 and 80: WILLIAM WARREN voiced organ. There
Page 81 and 82: WILLIAM WARREN depth and suggestive
Page 83 and 84: WILLIAM WARREN through a vast galle
Page 85 and 86: WILLIAM WARREN Senator from Massach
Page 87 and 88: TRAINING FOR THE STAGE any other th
Page 89 and 90: TRAINING FOR THE STAGE actors, and
Page 91 and 92: TRAINING FOR THE STAGE not brought
Page 93 and 94: TRAINING FOR THE STAGE rade;" Mr. M
Page 95 and 96: TOOLE AND MATHEWS Mrs. Rousby, who
Page 97 and 98: TOOLE AND MATHEWS rapidity against
Page 99: TOOLE AND MATHEWS finesse, and dext
Page 104 and 105: A DRAMATIC CRITIC of the Grecian Fa
Page 106 and 107: A DRAMATIC CRITIC tude of her speec
Page 108 and 109: A DRAMATIC CRITIC pression. Kathari
Page 110 and 111: A DRAMATIC CRITIC about the sick wo
Page 112 and 113: A DRAMATIC CRITIC gotten. After the
Page 114 and 115: A DRAMATIC CRITIC be substantially
Page 116 and 117: A DRAMATIC CRITIC the glass in plac
Page 118 and 119: A DRAMATIC CRITIC face resemblance
Page 120 and 121: - !• J A DRAMATIC CRITIC the figu
Page 122 and 123: A DRAMATIC CRITIC America." The pas
Page 124 and 125: A DRAMATIC CRITIC upon a stage fict
Page 126 and 127: THIS XIII The Isolation of Actors c
Page 128 and 129: A DRAMATIC CRITIC ward limitations
Page 130 and 131: A DRAMATIC CRITIC edge, the guild o
Page 132 and 133: A DRAMATIC CRITIC achievement in th
Page 134 and 135: A DRAMATIC CRITIC in giving with th
Page 136 and 137: A DRAMATIC CRITIC rived from a dist
Page 138 and 139: A DRAMATIC CRITIC ments of stress,
Page 140 and 141: A DRAMATIC CRITIC romance, one retu
Page 142 and 143: A DRAMATIC CRITIC in a spasm of sel
Page 144 and 145: A DRAMATIC CRITIC gave it new comel
Page 146 and 147: A DRAMATIC CRITIC out such concepti
Page 148 and 149: A DRAMATIC CRITIC Leclercq, who sup
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A DRAMATIC CRITIC sylvania, where h
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A DRAMATIC CRITIC business." My mem
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A DRAMATIC CRITIC periments with hi
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A DRAMATIC CRITIC litheness and swi
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A DRAMATIC CRITIC effectiveness wit
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A DRAMATIC CRITIC constantly promin
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MIDWAY XVI TOMMASO SaLVINI of the q
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A DRAMATIC CRITIC ceeded from a man
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A DRAMATIC CRITIC but a tawny barba
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A DRAMATIC CRITIC deliverer of God'
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A DRAMATIC CRITIC was capable of ei
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A DRAMATIC CRITIC ter, both of whom
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A DRAMATIC CRITIC he would not pres
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A DRAMATIC CRITIC by a little even
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A DRAMATIC CRITIC of her perfidy wa
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A DRAMATIC CRITIC in Leeds, March 3
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A DRAMATIC CRITIC pleasant in quali
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A DRAMATIC CRITIC some practiced fo
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A DRAMATIC CRITIC until then had no
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A DRAMATIC CRITIC the regularity wh
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A DRAMATIC CRITIC Miss Neilson as a
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A DRAMATIC CRITIC began a dialogue
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A DRAMATIC CRITIC Handel and Haydn
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A DRAMATIC CRITIC and in his firm g
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A DRAMATIC CRITIC keen delight of h
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A DRAMATIC CRITIC which carried a c
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A DRAMATIC CRITIC constructive skil
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A DRAMATIC CRITIC had entered her s
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A DRAMATIC CRITIC from a " vaudevil
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A DRAMATIC CRITIC programme and mod
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A DRAMATIC CRITIC can writers, one
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A DRAMATIC CRITIC into one, and doi
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XX Henry Irving TO say that of all
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A DRAMATIC CRITIC blush, as if an a
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A DRAMATIC CRITIC completely the st
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A DRAMATIC CRITIC has been on the s
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A DRAMATIC CRITIC founding and conf
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A DRAMATIC CRITIC bad in other and
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A DRAMATIC CRITIC fulness. It is a
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A DRAMATIC CRITIC evidence given in
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A DRAMATIC CRITIC of mind for a sin
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A DRAMATIC CRITIC delicate shading,
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A DRAMATIC CRITIC adaptation of mea
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A DRAMATIC CRITIC Booth and Madame
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A DRAMATIC CRITIC learning have the
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A DRAMATIC CRITIC beauties and new
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A DRAMATIC CRITIC him in refinement
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A DRAMATIC CRITIC his loftier-reach
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A DRAMATIC CRITIC that Hamlet is no
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A DRAMATIC CRITIC " as easy " with
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A DRAMATIC CRITIC have given, on th
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A DRAMATIC CRITIC American engageme
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A DRAMATIC CRITIC and will, the sol
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A DRAMATIC CRITIC were so delivered
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Actors, training of, 68-75; segrega
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Nilsson, Christine, 47, 173-175. Ou
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UCSOUTHFRNRFGIONAL LIBRARY FACILITY
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