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TOOLE AND MATHEWS<br />

finesse, and dexterity. Sometimes he<br />

played in French. His enunciation was a<br />

marvel of incisive and elegant precision,<br />

effected with perfect ease, and often with<br />

extreme velocity. In his utterance of the<br />

lines of Captain Patter, in his father's<br />

comedietta. Patter vs. Clatter, he per-<br />

formed an amazing feat. There were in<br />

the play six parts besides his own, the<br />

total speeches of the six others being<br />

uttered in three hundred words. The<br />

drama occupied twenty minutes in repre-<br />

sentation. Mr. Mathews's portion of the<br />

dialogue was practically an unbroken<br />

monologue of between seven thousand<br />

and eight thousand words, which were de-<br />

livered in eleven hundred seconds. His<br />

talk went as a whirlwind moves, or as<br />

the water used to come down at Lodore<br />

when Southey's encouraging eye was on<br />

it; but no ear of ordinary acuteness<br />

needed to lose a syllable of his text<br />

[<br />

Si<br />

]

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