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TOMMASO SALVINI<br />

fresh and unconventional, but of a charac-<br />

ter strongly based in purity, intelligence,<br />

and refined sensibility, — an ideal daugh-<br />

ter of England, emotional, yet dignified<br />

and self-contained; the anxious, restless<br />

attention, crossed by shame and disgust,<br />

with which she watched the actor in the<br />

early moments of his pretended intoxica-<br />

tion was a triumph of the eloquence of<br />

attitude and facial expression, interestingly<br />

followed by the voluble passion of her<br />

oral appeal to his nobler soul. Signora<br />

Piamonti's Delilah, though kept at every<br />

moment entirely within the lines prescribed<br />

by good taste and propriety, exhibited<br />

Samson's mistress and destroyer like some<br />

flaming flower of the voluptuous East, in-<br />

carnadined in tint, heavy with aromatic<br />

odors, intoxicating to the sense of man, —<br />

the hireling slave of passion, yet almost<br />

redeemed at the last by the violent access<br />

of her remorse and self-loathing. Her<br />

final rejection of the Philistines' reward<br />

[ 157 ]

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