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REMINISCENCES OF A DRAMATIC CRITIC WITH AN ESSAY ON THE ART OF HENRY IRVING BY HENRY AUSTIN CLAPP "Forsan et hmc olim meminisse juvabit." BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY ^Jje Ri\jcr?ibe pre??, CambriDge 1902
Page 1 and 2: UNIVERSITY OF CA RIVERSIDE, LIBRARY
Page 10 and 11: COPYRIGHT, 1902, BY HENRY AUSTIN CL
Page 13: NOTE The reader is informed of what
Page 16 and 17: CONTENTS XVII. ADELAIDE NEILSON 1 5
Page 19 and 20: REMINISCENCES OF A DRAMATIC CRITIC
Page 21 and 22: INTRODUCTION and fascinating folk,
Page 23 and 24: INTRODUCTION My equipment for my ta
Page 25 and 26: II Spectacle, Farce, Melodrama, and
Page 27 and 28: THE STAGE FIFTY YEARS AGO But what
Page 29 and 30: THE STAGE FIFTY YEARS AGO men had c
Page 31 and 32: THE STAGE FIFTY YEARS AGO with two
Page 33 and 34: THE STAGE FIFTY YEARS AGO of the tr
Page 35 and 36: THE STAGE FIFTY YEARS AGO a man of
Page 37 and 38: THE STAGE FIFTY YEARS AGO bill of f
Page 39 and 40: Ill The Worth and Impotence of Free
Page 41 and 42: IMPOTENCE OF FREE CRITICISM hinting
Page 43 and 44: IMPOTENCE OF FREE CRITICISM applaud
Page 45 and 46: I IV Some Early Experiences and Mis
Page 47 and 48: EXPERIENCES AND MISTAKES quent appl
Page 49 and 50: EXPERIENCES AND MISTAKES outspoken
Page 51 and 52: V Selwyn's Theatre and the Robert-
Page 53 and 54:
SELWYN'S THEATRE Sargent Curtis ; a
Page 55 and 56:
SELWYN'S THEATRE Colorado and the t
Page 57 and 58:
SELWYN'S THEATRE that of the life o
Page 59 and 60:
VI The Ephemeral Drama and the Endu
Page 61 and 62:
THE EPHEMERAL DRAMA culiar to their
Page 63 and 64:
THE EPHEMERAL DRAMA have no essenti
Page 65 and 66:
VII The Great Dramatic QyiNQiJENNiU
Page 67 and 68:
DRAMATIC Q_UINQ.UENNIUM ton : first
Page 69 and 70:
DRAMATIC CtUINQ^UENNIUM — by clos
Page 71 and 72:
VIII William Warren, Comedian BOSTO
Page 73 and 74:
WILLIAM WARREN presented in the dra
Page 75 and 76:
WILLIAM WARREN Apropos of the large
Page 77 and 78:
WILLIAM WARREN must submit to a rec
Page 79 and 80:
WILLIAM WARREN voiced organ. There
Page 81 and 82:
WILLIAM WARREN depth and suggestive
Page 83 and 84:
WILLIAM WARREN through a vast galle
Page 85 and 86:
WILLIAM WARREN Senator from Massach
Page 87 and 88:
TRAINING FOR THE STAGE any other th
Page 89 and 90:
TRAINING FOR THE STAGE actors, and
Page 91 and 92:
TRAINING FOR THE STAGE not brought
Page 93 and 94:
TRAINING FOR THE STAGE rade;" Mr. M
Page 95 and 96:
TOOLE AND MATHEWS Mrs. Rousby, who
Page 97 and 98:
TOOLE AND MATHEWS rapidity against
Page 99 and 100:
TOOLE AND MATHEWS finesse, and dext
Page 103 and 104:
CHARLOTTE CUSHMAN figure and homely
Page 105 and 106:
CHARLOTTE CUSHMAN was great, the ac
Page 107 and 108:
CHARLOTTE CUSHMAN act, has been dis
Page 109 and 110:
CHARLOTTE CUSHMAN be so pronounced
Page 111 and 112:
CHARLOTTE CUSHMAN mendations " and
Page 113 and 114:
THE XII E. A. SOTHERN, Sr. most not
Page 115 and 116:
E. A. SOTHERN, SR. inverted as in a
Page 117 and 118:
E. A. SOTHERN, SR effective for mir
Page 119 and 120:
E. A. SOTHERN, SR. thrown completel
Page 121 and 122:
E. A. SOTHERN, SR traordinary were
Page 123 and 124:
E. A. SOTHERN, SR. Tragedian, a dra
Page 125 and 126:
E. A. SOTHERN, SR sought or seeking
Page 127 and 128:
THE ISOLATION OF ACTORS plish. Behi
Page 129 and 130:
THE ISOLATION OF ACTORS fictive mat
Page 131 and 132:
THE ISOLATION OF ACTORS rary life w
Page 133 and 134:
DURING XIV Charles Fechter the seas
Page 135 and 136:
CHARLES FECHTER holding the lease o
Page 137 and 138:
CHARLES FECHTER psychic scheme, but
Page 139 and 140:
CHARLES FECHTER man, treasure, pabu
Page 141 and 142:
CHARLES FECHTER clouds, where Shake
Page 143 and 144:
CHARLES FECHTER and in his final dy
Page 145 and 146:
CHARLES FECHTER Glavis, there was a
Page 147 and 148:
CHARLES FECHTER on lines already in
Page 149 and 150:
CHARLES FECHTER internal discords,
Page 151 and 152:
THERE is XV Edwin Booth no occasion
Page 155 and 156:
EDWIN BOOTH A famous nomen I called
Page 157 and 158:
EDWIN BOOTH creations, because of t
Page 159 and 160:
EDWIN BOOTH ated with his name. Tha
Page 161 and 162:
EDWIN BOOTH gance and distinction o
Page 163 and 164:
EDWIN BOOTH thus to distinguish the
Page 167 and 168:
TOMMASO SALVINI combination tolerab
Page 169 and 170:
TOMMASO SALVINI the past fifty year
Page 171 and 172:
TOMMASO SALVINI ing Shakespeare and
Page 173 and 174:
TOMMASO SALVINI of rare delicacy be
Page 175 and 176:
TOMMASO SALVINI interpretation of K
Page 177 and 178:
TOMMASO SALVINI Every phase of the
Page 179 and 180:
TOMMASO SALVINI and sobbing; strong
Page 181 and 182:
TOMMASO SALVINI fresh and unconvent
Page 183 and 184:
XVII Adelaide Neilson NO player in
Page 187 and 188:
ADELAIDE NEILSON failing health, sh
Page 189 and 190:
ADELAIDE NEILSON to be much remembe
Page 191 and 192:
ADELAIDE NEILSON ing interview with
Page 193 and 194:
ADELAIDE NEILSON " False to his bed
Page 195 and 196:
ADELAIDE NEILSON remember the beaut
Page 197 and 198:
ADELAIDE NEILSON belongs, and at th
Page 199 and 200:
XVIII Memorable Experiences of Sing
Page 201 and 202:
MEMORABLE EXPERIENCES carded, and t
Page 203 and 204:
MEMORABLE EXPERIENCES mon touch as
Page 205 and 206:
MEMORABLE EXPERIENCES worked less s
Page 207 and 208:
MEMORABLE EXPERIENCES under the nam
Page 209 and 210:
MEMORABLE EXPERIENCES George P. Lat
Page 211 and 212:
XIX An American Theatre Privately E
Page 213 and 214:
AN ENDOWED THEATRE and let the expe
Page 215 and 216:
AN ENDOWED THEATRE for histrionic s
Page 217 and 218:
AN ENDOWED THEATRE direction. I saw
Page 219 and 220:
AN ENDOWED THEATRE will not always
Page 223 and 224:
HENRY IRVING against any lively dis
Page 225 and 226:
HENRY IRVING greatest actor of his
Page 227 and 228:
HENRY IRVING at least to reflect an
Page 229 and 230:
HENRY IRVING have said that he hope
Page 231 and 232:
HENRY IRVING ficial and unessential
Page 233 and 234:
HENRY IRVING the subject of wonder
Page 235 and 236:
HENRY IRVING face is found to be si
Page 237 and 238:
HENRY IRVING grip which he at once
Page 239 and 240:
HENRY IRVING on the stage to the la
Page 241 and 242:
HENRY IRVING superstition, which it
Page 243 and 244:
HENRY IRVING movement of the hands
Page 245 and 246:
HENRY IRVING faculty which is like
Page 247 and 248:
HENRY IRVING that madness with whic
Page 249 and 250:
HENRY IRVING and method to which I
Page 251 and 252:
HENRY IRVING it is the source of th
Page 253 and 254:
HENRY IRVING with beautiful softnes
Page 255 and 256:
HENRY IRVING regal action in mounti
Page 257 and 258:
HENRY IRVING boon to the stage of E
Page 259 and 260:
HENRY IRVING tual with the spectato
Page 261 and 262:
HENRY IRVING courage. Nearly all th
Page 263 and 264:
HENRY IRVING own powers is the chie
Page 265:
INDEX
Page 268 and 269:
Enchanted Beauty, The, 9. Enchanted
Page 270:
ElectrotyPed and printed by H. O. H
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