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IMPOTENCE OF FREE CRITICISM<br />

applaud what they like by the application<br />

of those laws, some of which have roots<br />

which run far down into our common psy-<br />

chic protoplasm. The judicious remainder—<br />

absolutely large in numbers, though<br />

comparatively few — constitute the body<br />

to which the critic appeals, through which,<br />

by processes of slow filtration, he may<br />

hope to make some indirect impression<br />

for good upon the vast mass of humanity<br />

that fills the theatres night after night,<br />

week after week. If this statement seems<br />

cynical, the reader is requested to consider<br />

the situation in a kindred matter, and to<br />

note that three quarters of the general<br />

perusal of contemporary books is utterly<br />

uninfluenced by any kind of literary criti-<br />

cism. The huge public which revels in<br />

the novels, for example, of " Albert Ross "<br />

and Mrs. Mary J. Holmes knows no more<br />

about book notices than it knows about<br />

the Eddas. As far as that public is con-<br />

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