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A DRAMATIC CRITIC<br />

of rare and novel privilege in respect of<br />

his pronouns ;<br />

no need here to periphrase<br />

with neuters and passives, or to masquerade<br />

in the mock ermine of the editorial " we,"<br />

since there is no reason why every one of<br />

his pages should not be as full of /'s be-<br />

fore and behind as any Apocalyptic Beast.<br />

I must forewarn my readers, however,<br />

that I can furnish them with few of those<br />

intimate details concerning actors, au-<br />

thors, and managers, which are relished<br />

sefnper^ ubique, et ab omnibus^ even the<br />

cultivated and fastidious. My narrative<br />

will be reduced in value by reason of this<br />

deficiency. After gossip has been allowed<br />

to stand for a few years, it usually rids it-<br />

self of its pernicious bacteria, and becomes<br />

a wholesome as well as sprightly bever-<br />

age. The qualities of Master Samuel Pepys<br />

which made him a dangerous neighbor in<br />

1670 make him a valuable historian in<br />

1 90 1. But it has seemed best to me,<br />

partly because actors are a very sensitive<br />

[ 2 ]

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