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A DRAMATIC CRITIC<br />

and dancing, practicing with his compan-<br />

ions what he learned from his masters;<br />

through observing other actors, and with<br />

the help of some of the humble servants<br />

of the stage, he would begin to acquire the<br />

arts of " making up." That is literally all<br />

the schooling that Mr. Warren had. His<br />

assiduous industry did the rest. But ex-<br />

perience shows that this schooling, limited<br />

and imperfect as it was in some respects,<br />

was adequate to make of good material a<br />

highly finished product. I doubt if Mr.<br />

Warren ever took a lesson in what is<br />

known as elocution; yet, by practice and<br />

imitation of good speakers, he made him-<br />

self master of an exquisite enunciation of<br />

English, which was a source of pure plea-<br />

sure to sensitive ears.<br />

The resident stock company as a school<br />

of histrionic instruction must be said to<br />

have passed away. Actors in traveling<br />

troupes learn from one another by snatches,<br />

of course; private teachers — often retired<br />

[ 70 ]

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