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THE STAGE FIFTY YEARS AGO<br />

of the truth of Hfe. As long as they were<br />

played they provoked an immense amount<br />

of wholesome and happy laughter. The<br />

most serious actors — even the leaders of<br />

the Booth family— did not disdain to ap-<br />

pear in them, and the greatest comedians<br />

of the nineteenth century — Blake, Burton,<br />

Clarke, Owens, Gilbert, Warren, and the<br />

Mathewses — were largely known to fame<br />

through the impersonation of the best far-<br />

cical characters. At William Warren's<br />

famous "benefits,"— of which there were<br />

four per annum for many years in the<br />

Boston Museum, — a programme which<br />

had not at least one farce was seldom pre-<br />

sented ; and 1 recall some of that come-<br />

dian's "benefit" nights in which the bill<br />

consisted merely of five farces.<br />

The king of the English writers or<br />

adapters of these dramas was John Mad-<br />

ison Morton, and somewhat below him<br />

were J. B. Buckstone and T. J. Wil-<br />

liams. Morton's Box and Cox, Betsy<br />

[ 15 ]

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