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WILLIAM WARREN<br />

presented in the drama, at ten thousand<br />

points. His plays were in every mode and<br />

mood of the Comic Muse, and ranged in<br />

quality from the best of Shakespeare to<br />

the worst of Dr. Jones. In old-fashioned<br />

farces, with their strong, sometimes vul-<br />

gar, often noisy, usually vital fun ;<br />

in taw-<br />

dry patriotic or emotional melodramas ;<br />

standard old English comedies ; in cheap<br />

local pieces, narrow and petty in their<br />

appeal ; in delicate French comediettas,<br />

whose colors are laid on with a brush like<br />

Meissonier's ; in English versions of the<br />

best Parisian dramas, subtle, sophisticated,<br />

exigent oifinesse and adresse in the player,<br />

— in each and all of these Mr. Warren<br />

was easily chief among many good actors ;<br />

to the demands of each and all he was<br />

amply adequate. The one fault of his style<br />

was a slight excess in the use of stentorian<br />

tones, — the result, I suspect, of his early<br />

immersion in farce, — and his gift of pa-<br />

thetic suggestion, though generally sure,<br />

[ 55 ]<br />

in

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