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The Geographer's Library

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Jon Fasman<br />

lights on inside. Pühapäev’s swing was still down for the count, and the rain<br />

had turned his front yard into a muddy, cratered moonscape. I parked in front<br />

of the three-story clapboard place (which was the only house on the street<br />

that gave any signs of habitation) and walked up to the front door. A white<br />

sticker just below the doorbell said desouza, with an arrow pointing up at<br />

the bell, and rowe, with an arrow pointing around the side of the house, so I<br />

followed the arrow, stepping over a puddle of rainwater. Walking to the side<br />

door, I slipped on something left in the path and sent it into the door with an<br />

embarrassingly loud thwack. It was a huge wrench. I picked it up as the door<br />

opened.<br />

She was smaller than Mrs. Rolen had led me to expect—an inch or two<br />

taller than me, but her thinness and long hair made her seem taller still—and<br />

she had light brown hair, gray eyes, and sharp, clear features. It was a face just<br />

on the perfect side of plain, one that grew deeper the more you looked at it. I<br />

always found it unreadable: changes of mood and thought swept across it<br />

like water and just as quickly sank beneath the surface. That, of course, came<br />

later, but even at this first meeting, she leveled me.<br />

“Hannah Rowe?”<br />

“Paul Tomm?” she repeated in the same tone. I wasn’t sure whether she<br />

was teasing me or merely responding musically. She looked down at the<br />

wrench that I held in my hand and was now extending to her like a flower.<br />

She smiled broadly, and I blushed. “I know the one about Greeks bearing<br />

gifts, but I’ve never gotten any advice on reporters bearing wrenches. You are<br />

Paul, aren’t you?”<br />

I nodded, and she invited me in, taking the wrench from my hand and<br />

tossing it carelessly back onto the path. “You’re a little early,” she said, waving<br />

me off as I began to apologize. “Just an observation, no reason to be sorry.<br />

Would you like some tea?”<br />

I said I would, and she invited me to sit down. She pointed to a pair of<br />

green armchairs in the corner of the room, on either side of a circular wooden<br />

table. I walked over to one of the chairs and, in taking my jacket off, upended<br />

the table. An odd assortment of junk—some pottery, a playing card, and a<br />

number of what looked like children’s art projects—all fell to the floor with a<br />

crash. Hannah laughed; again I blushed. “Paul Tomm, we’re going to have to<br />

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