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The Geographer's Library

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Jon Fasman<br />

did: a castle, maybe, a mansion or a cloister. A farmhouse out in the country.<br />

Seeing Professor Jadid in a parka and boots, walking past a lawn mower and<br />

stopping to pick up a free community paper from his stoop, seemed incongruous:<br />

he was meant to dissolve into a late-nineteenth-century Viennese<br />

café at the end of every day.<br />

professor jadid’s kitchen was long and low, warmly lit, with plenty<br />

of dark wood surfaces: the sort of room to pass a childhood in. He deftly<br />

chopped two tomatoes and two small red onions into tiny cubes, then mashed<br />

them to a paste with the back of a wooden spoon, adding a few cloves of garlic,<br />

the leaves from three sprigs of marjoram he pulled from a pot on the<br />

windowsill, a glug of olive oil, and a splash of white wine. He cubed a hunk<br />

of lamb and added the pieces to the vegetable slurry, and dumped the whole<br />

mixture into a ceramic dish that he put in the oven. He poured us both<br />

glasses of white wine and insisted that we toast the bulky rectangular briefcase<br />

sitting in the corner.<br />

“Why?” I asked.<br />

“All shall be revealed,” he said, with a showman’s raise of his eyebrows.<br />

I exhaled impatiently. We sat at a round wooden table in front of two sliding<br />

glass doors that opened onto a back garden, but because of the night and<br />

the light above and behind us, all we could see in the doors was ourselves. A<br />

sudden knock at the glass doors, and the erasure of both of our reflections<br />

made me jump and spill my wine.<br />

Professor Jadid grimaced sympathetically at me (“Joseph always parks<br />

around back”), then stood up to open the doors. His nephew, holding a sixpack<br />

of Newport Storm in one hand and a file in the other, squeezed through<br />

the doorway. He hugged his uncle, almost completely enveloping him, and<br />

they kissed three times, alternating cheeks. Joe was followed by a tall, whipthin<br />

young man in a knife-pressed maroon suit, pin-striped shirt, and maroon<br />

tie with a garnet stickpin, carrying a leather jacket; he looked like a halfstarved,<br />

worried musician from 1950s Greenwich Village.<br />

“This is Lyosha Priyenko,” said Joe. Priyenko slipped through the door<br />

gingerly, as though afraid of being noticed, and extended a bony hand to<br />

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