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The Geographer's Library

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<strong>The</strong> Geographer’ s <strong>Library</strong><br />

came out to greet him, threaten him, or even stare at him. When he reached<br />

the last house, he paused before knocking at the wooden door.<br />

A voice invited him in. He pushed the door open and saw a one-room<br />

hut, at the center of which was a small fire in a stone oven. Four men sat<br />

around the fire: they all had forked white beards without mustaches; they<br />

wore white turbans and robes; they had long faces, deep and watery eyes.<br />

<strong>The</strong>y looked as though they had been sitting there for centuries, figures out<br />

of time, tried by fire, still watchers and guardians of secrets. “Are you looking<br />

for Hajji Porat?” one of them asked in Tajik.<br />

Kulin nodded, and three of them stood up and left, without saying a word<br />

or changing their expressions. <strong>The</strong> one who remained looked up at him<br />

gravely. “I am Porat. Sit, please, and drink some tea.” <strong>The</strong> man poured weak<br />

tea from a battered aluminum pot into a grimy ceramic bowl and passed it to<br />

Yuri with both hands.<br />

“You’ve been told who I am, why I came here?” Yuri asked.<br />

“Of course. You wish to see about building a museum of Tajik culture.<br />

An unusual choice for a location, I would say, outside the city, on a hillside<br />

prone to avalanches and mudslides. An altogether unsuitable location.”<br />

Kulin suddenly grew uncomfortable at having to explain the entire situation<br />

to Porat. <strong>The</strong> man who arranged to send him on this mission had told<br />

Yuri that Porat understood and accepted the exchange. Kulin was merely a<br />

courier, chosen for his intelligence, anonymity, ambition, and fluency in the<br />

region’s languages. Kulin cleared his throat and was about to speak when<br />

Porat held up a long hand.<br />

“You do not need to tell me. I know the real reason you are here. I was told<br />

you would be carrying Akbarkhan’s photograph. May I see it, please?”<br />

“Hajji Porat, I’m not sure that you—” Porat raised his cane and brought it<br />

down with both hands on Kulin’s bowl of tea, shattering the pottery with the<br />

sound of a gunshot.<br />

“I can imagine what he will look like. What you will have done to him. I<br />

am prepared. Let me see the picture.”<br />

Kulin pulled the picture from between two pages in the Tajik phrasebook<br />

and handed it to Porat. It showed a young man in a hospital bed, a hand<br />

77

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