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Jon Fasman<br />

than Leninabad.” <strong>The</strong> road ended just below the village, and Kravchuk cut<br />

the motor. <strong>The</strong>y got out of the car and began walking together, but Kulin<br />

asked Kravchuk to wait with the car. “Just to be safe. You never know around<br />

here, leaving a car on its own like this.”<br />

Kravchuk nodded, looking not unhappy with the decision. “Shout if you<br />

need me, Engineer. I’ll be right here.”<br />

Kulin nodded, waved, and began trudging uphill. Three children came<br />

out of the first house he passed and began shouting “Russian, Russian!<br />

Come see the foreigner!”; by the time he reached the village center, the shouting<br />

had stopped and he was surrounded by dark, silent, wide-eyed children.<br />

“Assalom u aleykum,” he began, when a raspy voice speaking Russian interrupted<br />

him.<br />

“Why don’t you speak your native language? We can. Some of us have the<br />

lashes, scars, and burns to prove it.” <strong>The</strong> voice had an ironic edge that<br />

stopped just short of threatening; it belonged to a tall man with a deeply<br />

lined face and piercing green eyes. He wore a multicolored, striped robe tied<br />

with a sash at the waist and stood absolutely still, neither warning Kulin away<br />

nor welcoming him.<br />

“Thank you,” Yuri said awkwardly. He waited for the man to respond, but<br />

he just stood silent and watchful, not changing his expression. “I wish to<br />

speak with Porat Badhmadullaev. I understand he lives in this village.”<br />

“He does. Hajji Porat, he is called now. He made the journey with his son<br />

last year. Very difficult, very illegal. But if you are who I think you are, then<br />

you already know that.”<br />

“I’m not KGB, if that’s what you’re asking. I’m an engineer, here to find a<br />

suitable location for a museum dedicated to Tajik culture. To your culture,”<br />

Kulin said, trying to smile but realizing as he did that it made him look weak<br />

and unsteady instead of warm and disarming. His interlocutor inclined his<br />

head forward, slightly cocked, a gesture whose meaning escaped Kulin.<br />

“Could you take me to him, please?”<br />

<strong>The</strong> man pointed to the village’s last house, farthest up the hill, and<br />

turned away without a word. He clapped his hands twice, and the children<br />

dispersed. Kulin could sense eyes on him from inside the houses, but nobody<br />

76

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